White teenagers embraced rock and roll, when the civil-rights struggle cultivated an awareness of African-American culture. Youths such as Elvis Presley listened to late night, rhythm-and-blues radio shows that challenged and broke down racial barriers. During the Sixties, white teens readily accepted African-American performers such as the Ronettes, the Temptations, and the Supremes who had been carefully groomed for success in a mainstream market. At the same time in Britain, teenagers such as the Rolling Stones became obsessed with Chicago blues and brought their version of the blues back to adoring fans in America. Later in the decade, white youth bought soul records and revered Jimi Hendrix as the ultimate guitar hero. By the Eighties, young white suburbanites wore baggy pants and chanted the lyrics of inner-city rappers. In the new century, American teens danced at massive festivals to the African-American sounds of house music and techno.

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "White teenagers embraced rock and roll, when the civil-rights struggle cultivated an awareness of African-American culture. Youths such as Elvis Presley listened to late night, rhythm-and-blues radio shows that challenged and broke down racial barriers. During the Sixties, white teens readily accepted African-American performers such as the Ronettes, the Temptations, and the Supremes who had been carefully groomed for success in a mainstream market. At the same time in Britain, teenagers such as the Rolling Stones became obsessed with Chicago blues and brought their version of the blues back to adoring fans in America. Later in the decade, white youth bought soul records and revered Jimi Hendrix as the ultimate guitar hero. By the Eighties, young white suburbanites wore baggy pants and chanted the lyrics of inner-city rappers. In the new century, American teens danced at massive festivals to the African-American sounds of house music and techno." in the context of "David Szatmary, in the introduction to his book Rocking in timeː A Social History of Rock and Roll" to mean that wisdom is timeless.