He always wore his affinity for Elvis Presley like a batch, covered "Trouble" on his eponymous band's Thrall-Demonsweatlive EP in 1993 and most recently, filmed a Danzig Legacy concert video that stylistically recalled Presley's '68 comeback special, playing in the round with guitarists from throughout his career and singing in front of his name lit up in red. Although he credits director Mark Brooks with the theme for the film, he said he loved the idea himself and is even in the midst of recording an LP of Elvis covers. "Elvis is actually how I got into music, since I was a kid, I was cutting school pretending I was sick and I would lie at home watching old movies, and "Jailhouse Rock" came on and I was like, 'I want to do this. This is great.' And that's how I veered to music. But the thing that has connected all of his sessions is his desire to record new versions of Elvis songs for the upcoming Danzig Sings Elvis LP. "I'm stripping some of the stuff down to the bare bones, very old-school Fifties echoey slap-back vocals," he says. Every time I go back into the studio to work on a new Danzig record, if we have time, I'm like, 'Let's do another Elvis song.' So I keep adding and we'll see what ends up on the record." Some of the songs he has recorded, he says, include "Home Is Where the Heart Is" and the Faron Young–composed "Is It So Strange?" It's a connection that has been a part of him for years. "We have been stopping by Graceland and Elvis' grave since my days in [goth-punk group] Samhain," Danzig says. "Just, you know, hanging out."

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "He always wore his affinity for Elvis Presley like a batch, covered "Trouble" on his eponymous band's Thrall-Demonsweatlive EP in 1993 and most recently, filmed a Danzig Legacy concert video that stylistically recalled Presley's '68 comeback special, playing in the round with guitarists from throughout his career and singing in front of his name lit up in red. Although he credits director Mark Brooks with the theme for the film, he said he loved the idea himself and is even in the midst of recording an LP of Elvis covers. "Elvis is actually how I got into music, since I was a kid, I was cutting school pretending I was sick and I would lie at home watching old movies, and "Jailhouse Rock" came on and I was like, 'I want to do this. This is great.' And that's how I veered to music. But the thing that has connected all of his sessions is his desire to record new versions of Elvis songs for the upcoming Danzig Sings Elvis LP. "I'm stripping some of the stuff down to the bare bones, very old-school Fifties echoey slap-back vocals," he says. Every time I go back into the studio to work on a new Danzig record, if we have time, I'm like, 'Let's do another Elvis song.' So I keep adding and we'll see what ends up on the record." Some of the songs he has recorded, he says, include "Home Is Where the Heart Is" and the Faron Young–composed "Is It So Strange?" It's a connection that has been a part of him for years. "We have been stopping by Graceland and Elvis' grave since my days in [goth-punk group] Samhain," Danzig says. "Just, you know, hanging out."" in the context of "Glenn Danzig during a visit to Rolling Stone, recalling how Elvis Presley influenced him and how, coincidentally, he went on to write songs for Presley's one time Sun Records label-mates Johnny Cash ("Thirteen") and Roy Orbison ("Life Fades Away"), as published in the magazine's online edition on July 1, 2015." to mean that wisdom is timeless.