This, I think, is as close to the "real" Elvis as we were ever permitted to glimpse during his lifetime, a funny, self-deprecatory star who loved to hack around with his guys, but who had no trouble reeling them back in when they started having a little too much fun. We, at home, watched and understood how lovable so many people thought he was. The show, when it aired, became one of the top-rated of 1968. Most of the TV critics of the time didn't get it, certainly not the way the show's producer and audience did, the critics being, frankly, rather bad stuck-in-the-mud old fogies and tired, bitter conscripts from elsewhere in the newsroom who were about to be superseded in the early '70's by a new generation of TV critics who had not only grown up with Elvis, but with TV itself

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "This, I think, is as close to the "real" Elvis as we were ever permitted to glimpse during his lifetime, a funny, self-deprecatory star who loved to hack around with his guys, but who had no trouble reeling them back in when they started having a little too much fun. We, at home, watched and understood how lovable so many people thought he was. The show, when it aired, became one of the top-rated of 1968. Most of the TV critics of the time didn't get it, certainly not the way the show's producer and audience did, the critics being, frankly, rather bad stuck-in-the-mud old fogies and tired, bitter conscripts from elsewhere in the newsroom who were about to be superseded in the early '70's by a new generation of TV critics who had not only grown up with Elvis, but with TV itself" in the context of "Jeff Simon, reviewing for the Buffalo News the 5 disc set commemorating the 50th Anniversary of the 1968 NBC TV Special "Elvis", in an article entitled "Maybe the greatest Elvis work has finally been released" and published on December 5, 2018." to mean that wisdom is timeless.