Backstage at Washington DC's Shakespeare Theatre Company’s two locations — the Lansburgh Theatre and Sidney Harman Hall — actors and crew members maintain elaborate shrines to a creative icon. Not the Bard, but Elvis Presley. The tradition started one night in 1989. During a performance of “The Beggar’s Opera,” stage manager James Latus heard a loud sound during the show and asked his assistant, Audrey Brown, if she knew who was responsible. “Uh, um, uh…Elvis!” (In fact) Brown, a Memphis native, refused to rat out the real culprit, which led Latus to take the joke to its natural conclusion and create a full-blown shrine, consisting of a tasteful Elvis postcard and candle. Actors and crew people started donating items for good luck. When the company moved to the Lansburgh Theatre in the 1990s, the Elvis shrine came, too. Around this time, the theater received a letter from then-First Lady Hillary Clinton’s press secretary. They were planning to come see a show, but they wouldn’t have time to visit the shrine. The letter was promptly framed and added to the shrine. But when the Clintons showed up, Hillary insisted on making a pilgrimage. The shrine now holds a photo of her pointing at the copy of her press secretary’s letter. Latus said he’d like to see an Elvis-inspired Shakespeare adaptation one day. His vote is for “King Lear,” while Cox would like to see an Elvis “Macbeth”. Both, of course, are tragedies. The Shakespeare Theatre doesn't have any Elvis-themed projects in the works right now, but maybe, with enough prayers at the shrine, some day it will happen.
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This is a placeholder explanation generated by the low-overhead model. It interprets "Backstage at Washington DC's Shakespeare Theatre Company’s two locations — the Lansburgh Theatre and Sidney Harman Hall — actors and crew members maintain elaborate shrines to a creative icon. Not the Bard, but Elvis Presley. The tradition started one night in 1989. During a performance of “The Beggar’s Opera,” stage manager James Latus heard a loud sound during the show and asked his assistant, Audrey Brown, if she knew who was responsible. “Uh, um, uh…Elvis!” (In fact) Brown, a Memphis native, refused to rat out the real culprit, which led Latus to take the joke to its natural conclusion and create a full-blown shrine, consisting of a tasteful Elvis postcard and candle. Actors and crew people started donating items for good luck. When the company moved to the Lansburgh Theatre in the 1990s, the Elvis shrine came, too. Around this time, the theater received a letter from then-First Lady Hillary Clinton’s press secretary. They were planning to come see a show, but they wouldn’t have time to visit the shrine. The letter was promptly framed and added to the shrine. But when the Clintons showed up, Hillary insisted on making a pilgrimage. The shrine now holds a photo of her pointing at the copy of her press secretary’s letter. Latus said he’d like to see an Elvis-inspired Shakespeare adaptation one day. His vote is for “King Lear,” while Cox would like to see an Elvis “Macbeth”. Both, of course, are tragedies. The Shakespeare Theatre doesn't have any Elvis-themed projects in the works right now, but maybe, with enough prayers at the shrine, some day it will happen." in the context of "Mikaela Lefrak, in an article appearing at American University's radio website page ̽(WAMU 98.5 FM), in which she explains the Washington, DC Shakespeare Theatre Company's unique decision to maintain an Elvis shrine in both of their locations, as published on November 6, 2018." to mean that wisdom is timeless.
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