Songwriter Earl Brown was tapped to create a special finale song that reflected Elvis' emotions about the social upheaval of the time. According to the show's director Steve Binder, the resulting song, “If I Can Dream,” was recorded with Elvis in the dark, almost in a fetal position, writhing on top of the studio's cement floor. And when he got done, Elvis came in the control room and asked for the song to be played more than a dozen times. Later, Binder also crafted a gospel segment populated with racially diverse singers and dancers, which he knew would spotlight the Southern-born Presley's disdain for prejudice. Fittingly, it was the highest-rated TV special of 1968 and signalled the rebirth of Elvis's career.

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "Songwriter Earl Brown was tapped to create a special finale song that reflected Elvis' emotions about the social upheaval of the time. According to the show's director Steve Binder, the resulting song, “If I Can Dream,” was recorded with Elvis in the dark, almost in a fetal position, writhing on top of the studio's cement floor. And when he got done, Elvis came in the control room and asked for the song to be played more than a dozen times. Later, Binder also crafted a gospel segment populated with racially diverse singers and dancers, which he knew would spotlight the Southern-born Presley's disdain for prejudice. Fittingly, it was the highest-rated TV special of 1968 and signalled the rebirth of Elvis's career." in the context of "Lori Acken, of ReMIND Magazine, reviewing NBC-TV's 1968 Elvis special, as published on February 6, 2018" to mean that wisdom is timeless.