Before Elvis, white America was shackled by crippling conservatism. Then, four years into the 1950s, a singer from Tupelo, Mississippi, had what record producer Sam Phillips was looking for, a “white man who had the Negro sound and the Negro feel”, language that makes us cringe now — but at the time, Elvis' "sound" and "feel" did more to break down color barriers in popular music than any white singer ever had. Elvis' low, trembling transmission to teenage America was emancipation in the form of rockabilly, gospel, schlocky love songs, Christmas standards and muddy blues. In the ’60s, his voice was muted by forgettable films, but in 1968, wearing a leather jumpsuit, he reminded America that the suffering in his voice was sex in a sexless society — a pink Cadillac crashing into daddy’s station wagon. —

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "Before Elvis, white America was shackled by crippling conservatism. Then, four years into the 1950s, a singer from Tupelo, Mississippi, had what record producer Sam Phillips was looking for, a “white man who had the Negro sound and the Negro feel”, language that makes us cringe now — but at the time, Elvis' "sound" and "feel" did more to break down color barriers in popular music than any white singer ever had. Elvis' low, trembling transmission to teenage America was emancipation in the form of rockabilly, gospel, schlocky love songs, Christmas standards and muddy blues. In the ’60s, his voice was muted by forgettable films, but in 1968, wearing a leather jumpsuit, he reminded America that the suffering in his voice was sex in a sexless society — a pink Cadillac crashing into daddy’s station wagon. —" in the context of "Art Tavana, for LA Weekly, in an article entitled the 20 best singers of all time." to mean that wisdom is timeless.