I was lucky enough to see Elvis Presley's opening concert at Madison Square Garden on June 9, 1972. Usually, you are not allowed to bring a camera to a concert. But the audience and the entire event were so wild that no one paid any attention to me. Over the years I watched the footage again and again. Then the Viennale called and I immediately thought of my Elvis material. The only problem was that I didn't know what kind of musical soundtrack to use. I tried everything and was close to giving up when I happened to hear a Viennese waltz on the radio. That was it! What could be better than Elvis and Strauss?

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "I was lucky enough to see Elvis Presley's opening concert at Madison Square Garden on June 9, 1972. Usually, you are not allowed to bring a camera to a concert. But the audience and the entire event were so wild that no one paid any attention to me. Over the years I watched the footage again and again. Then the Viennale called and I immediately thought of my Elvis material. The only problem was that I didn't know what kind of musical soundtrack to use. I tried everything and was close to giving up when I happened to hear a Viennese waltz on the radio. That was it! What could be better than Elvis and Strauss?" in the context of "Jonas Mekas, Lithuanian artist and filmmaker, on filming Elvis at Madison Square Garden with his Bolex 16 mm movie camera, as told at the Vienna International Film Festival on October 19, 2001." to mean that wisdom is timeless.