My mother took me to see "Jailhouse Rock" when I was three. She loved Elvis. I guess I thought, like John Lennon, that that looked like a pretty good job. I bought my first Elvis record at seven. I got an old tennis racket and I'd go around the house playing it like a guitar, playing Elvis songs. I'd turn my collar up and do the lip sneer, the whole thing. I was a little boy being Elvis! I knew I was a little girl, but I was being myself. I never understood the gender difference, frankly. It never stopped me: I never thought, 'I'm a little girl, I can't do this.'

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "My mother took me to see "Jailhouse Rock" when I was three. She loved Elvis. I guess I thought, like John Lennon, that that looked like a pretty good job. I bought my first Elvis record at seven. I got an old tennis racket and I'd go around the house playing it like a guitar, playing Elvis songs. I'd turn my collar up and do the lip sneer, the whole thing. I was a little boy being Elvis! I knew I was a little girl, but I was being myself. I never understood the gender difference, frankly. It never stopped me: I never thought, 'I'm a little girl, I can't do this.'" in the context of "Susan Yasinski, lead singer and founder of Susan and the Surftones, explaining what drew her to rock music, at an early age, as published by Curve, a lesbian magazine on 20 September 2016." to mean that wisdom is timeless.