Sam Phillips used what we call 'slapback' or 'tape delay', which lent an otherworldly patina to Presley's voice. And I don't know if Sam was really conscious of it at the time, but if you listen to old pop and country records back then, the voice was always so much farther out from the music; Sam kept Elvis' voice close to the music, so, in essence, Elvis' voice became another instrument.
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This is a placeholder explanation generated by the low-overhead model. It interprets "Sam Phillips used what we call 'slapback' or 'tape delay', which lent an otherworldly patina to Presley's voice. And I don't know if Sam was really conscious of it at the time, but if you listen to old pop and country records back then, the voice was always so much farther out from the music; Sam kept Elvis' voice close to the music, so, in essence, Elvis' voice became another instrument." in the context of "Scotty Moore, Elvis Presley's lead guitarist from 1954 until 1968, as published in The "Virginia Pilot", in an article entitled "The rising of Sun Records cast music in new light", as written by Sue Smallwood, and published on December 15, 1994" to mean that wisdom is timeless.
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About Elvis Presley