Elvis' lowest effective note was a low-G, as heard on "He'll Have To Go"(1976); on "King Creole" (1958), he growls some low-F's; going up, his highest full-voiced notes were the high-B's in "Surrender"(1961) and "Merry Christmas Baby" (1971), the high-G at the end of "My Way" (1976 live version), and the high-A of "An American Trilogy"(1972); using falsetto, Elvis could reach at least a high-E, e.g, as in "Unchained Melody" (1977), so, it was very nearly a three-octave range, although more practically two-and-a-half.

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This is a placeholder explanation generated by the low-overhead model. It interprets "Elvis' lowest effective note was a low-G, as heard on "He'll Have To Go"(1976); on "King Creole" (1958), he growls some low-F's; going up, his highest full-voiced notes were the high-B's in "Surrender"(1961) and "Merry Christmas Baby" (1971), the high-G at the end of "My Way" (1976 live version), and the high-A of "An American Trilogy"(1972); using falsetto, Elvis could reach at least a high-E, e.g, as in "Unchained Melody" (1977), so, it was very nearly a three-octave range, although more practically two-and-a-half." in the context of "George Barbel, as a follow up to a question on what was Elvis' range, as published in All Experts.com, on 20th May, 2007." to mean that wisdom is timeless.