It's probably asking too much that “Ruben Brandt, Collector” sustain its pop-art ebullience across its entire running time. But the dips are hardly depressions, and there's nearly always a frisky detail to enjoy or virtuosic tableau to bathe in, all of it augmented wonderfully by Tibor Cári's appealing score. Mostly, though, Krstić, whose background encompasses set design and sculpture, painting and photography, has shown everybody how to throw down the first-feature gauntlet at the age of 66: with Warhol's holstered “Elvis I & II” facing down our hero and declaring, “Draw!”

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "It's probably asking too much that “Ruben Brandt, Collector” sustain its pop-art ebullience across its entire running time. But the dips are hardly depressions, and there's nearly always a frisky detail to enjoy or virtuosic tableau to bathe in, all of it augmented wonderfully by Tibor Cári's appealing score. Mostly, though, Krstić, whose background encompasses set design and sculpture, painting and photography, has shown everybody how to throw down the first-feature gauntlet at the age of 66: with Warhol's holstered “Elvis I & II” facing down our hero and declaring, “Draw!”" in the context of "Robert Abele, reviewing for the Los Angeles Times Milorad Krstić's animated film “Ruben Brandt, Collector” and as published in their November 13, 2018 edition." to mean that wisdom is timeless.