I was in the studio, and they were mixing it over at Little Victor. I probably shouldn’t tell this, but I’m gonna tell you the truth. I was a publisher also, and I had published all of these songs. We shipped to all of the little stations, and the record label would ship to all of the big stations. I’m thinking, ‘Man, we’re gonna have to ship every one of these things, and I’ve got to get it to these little stations. If they start playing it on the big stations first, then these DJs are going to be mad at me. I’m thinking about all the stuff that I’ve got to do as far as work on this thing, and dreading it. Then all of a sudden I thought: ‘Here I’ve got a single by [Elvis] coming out. This is the greatest thing you could have happen, and I’m sitting here dreading it. It’s time for me to get out of this business...LOL.

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "I was in the studio, and they were mixing it over at Little Victor. I probably shouldn’t tell this, but I’m gonna tell you the truth. I was a publisher also, and I had published all of these songs. We shipped to all of the little stations, and the record label would ship to all of the big stations. I’m thinking, ‘Man, we’re gonna have to ship every one of these things, and I’ve got to get it to these little stations. If they start playing it on the big stations first, then these DJs are going to be mad at me. I’m thinking about all the stuff that I’ve got to do as far as work on this thing, and dreading it. Then all of a sudden I thought: ‘Here I’ve got a single by [Elvis] coming out. This is the greatest thing you could have happen, and I’m sitting here dreading it. It’s time for me to get out of this business...LOL." in the context of "Jerry Chesnut, discussing the process of the release of Elvis'1975 single "T.R.O.U.B.L.E, which he had written and was in charge of distributing, as told in a 2014 interview with the Tennessean" to mean that wisdom is timeless.