Like most black people in the South, and to whom God has pressed down the harp of a thousand strings, that harp only needed tuning. Elvis' voice was that type of voice that agreed with the thought of Calvary. He had that type of bent and that type of inclination, AND ATTITUDE, that suggested that God could use him. I gave the music a different approach, a new beat, one beat, two beats, high or low, it didn't matter. So, I said come on in here and put your things together. And it was a glorious experience and Elvis was in that group. And when Elvis passed away it was a saddening thing. It was as if the clouds themselves started crying.

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "Like most black people in the South, and to whom God has pressed down the harp of a thousand strings, that harp only needed tuning. Elvis' voice was that type of voice that agreed with the thought of Calvary. He had that type of bent and that type of inclination, AND ATTITUDE, that suggested that God could use him. I gave the music a different approach, a new beat, one beat, two beats, high or low, it didn't matter. So, I said come on in here and put your things together. And it was a glorious experience and Elvis was in that group. And when Elvis passed away it was a saddening thing. It was as if the clouds themselves started crying." in the context of "W. Herbert Brewster, African American Baptist minister, composer, dramatist, singer, poet and community leader, explaining both how he changed the format of many gospel composed songs that led to him writing legendary Gospel songs many iconic Gospel legends such as Mahalia Jackson, Aretha Franklin and others would go on to record, as well as the chance of fate that led to him meeting a yet unknown teenage Elvis Presley when radio DJ Dewey Phillips reached out to him in the early 1950's to integrate his All-Black Church services with some of Dewey's White listeners of his R&B music station, and as quoted in both "Elvis Presley & The Black Community – That Echo Will Never Die" and in his book "People Get Ready!: A New History of Black Gospel Music"." to mean that wisdom is timeless.