Elvis Presley jerked his torturous way across the stage of the Municipal Auditorium on Sunday, sang eight or ten songs, thumped on a guitar, fell to the floor, knocked over microphones and set off a din of teenage squealing. At the evening performance he contorted his body in such a manner as to cause whole platoons to rush to the edge of the stage. In fact, he flings his limbs about and quivers in such a way as to make one think he might have a trick knee or hip, possibly from an old war injury...but this is not the case. This is just Elvis Presley....

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "Elvis Presley jerked his torturous way across the stage of the Municipal Auditorium on Sunday, sang eight or ten songs, thumped on a guitar, fell to the floor, knocked over microphones and set off a din of teenage squealing. At the evening performance he contorted his body in such a manner as to cause whole platoons to rush to the edge of the stage. In fact, he flings his limbs about and quivers in such a way as to make one think he might have a trick knee or hip, possibly from an old war injury...but this is not the case. This is just Elvis Presley...." in the context of "Pen Wilson, reviewing for the Times-Picayune Elvis' two back to back New Orleans concerts on August 12, 1956, and as published on that paper on the following day." to mean that wisdom is timeless.