Cynthia Ozick Quotes (1928-)

“Cultivation, old civilization, beauty, history! Surprising turnings of streets, shapes of venerable cottages, lovely aged eaves, unexpected and gossamer turrets, steeples, the gloss, the antiquity! Gardens. Whoever speaks of Paris has never seen Warsaw. [...] Whoever yearns for an aristocratic sensibility, let him switch on the great light of Warsaw.”

“"I think the word is intractable. I blame the lack of live and let live. And which side is it coming from more than the other side? I think it is coming from people who call other people infidels. That's how it strikes me." Was she moved the first time she went to Israel? "Yes. Probably not like my father, who was simply swept away. He couldn't get over that he had ascended Mount Zion. I don't see any solution here. I'm despairing. That's where I stand."”

“there was a time when a new novel came out — let's take Saul Bellow — and it was a public event. And really, it wasn't just an elitist hobby. I remember — this goes way, way back into my early childhood — when Gone with the Wind was published, the world was whirling around this novel. I remember walking to school and seeing shopkeepers sitting outside their shops reading Gone with the Wind. This was an event. It changed people's minds. Maybe I have a yearning for that, though I don't see it would ever happen again. On the other hand, didn't we see that with Downton Abbey? So maybe it isn't all lost.”

“there was a time when a new novel came out — let's take Saul Bellow — and it was a public event. And really, it wasn't just an elitist hobby. I remember — this goes way, way back into my early childhood — when Gone with the Wind was published, the world was whirling around this novel. I remember walking to school and seeing shopkeepers sitting outside their shops reading Gone with the Wind. This was an event. It changed people's minds. Maybe I have a yearning for that, though I don't see it would ever happen again. On the other hand, didn't we see that with Downton Abbey? So maybe it isn't all lost.”

“I am actively drawn to essays, and am right now immersed in “Life Sentences,” a 2012 collection by William Gass (our most accomplished living American essayist, hands down).”

“1919...Henri Bergson, Karl Barth, Ernst Cassirer, Havelock Ellis, Karl Jaspers, John Maynard Keynes, Rudolf Steiner—indelible figures—were all active in their various spheres.”

“1919...Henri Bergson, Karl Barth, Ernst Cassirer, Havelock Ellis, Karl Jaspers, John Maynard Keynes, Rudolf Steiner—indelible figures—were all active in their various spheres.”

“1919...Henri Bergson, Karl Barth, Ernst Cassirer, Havelock Ellis, Karl Jaspers, John Maynard Keynes, Rudolf Steiner—indelible figures—were all active in their various spheres.”

“1919...Henri Bergson, Karl Barth, Ernst Cassirer, Havelock Ellis, Karl Jaspers, John Maynard Keynes, Rudolf Steiner—indelible figures—were all active in their various spheres.”

“1919...Henri Bergson, Karl Barth, Ernst Cassirer, Havelock Ellis, Karl Jaspers, John Maynard Keynes, Rudolf Steiner—indelible figures—were all active in their various spheres.”

“1919...Henri Bergson, Karl Barth, Ernst Cassirer, Havelock Ellis, Karl Jaspers, John Maynard Keynes, Rudolf Steiner—indelible figures—were all active in their various spheres.”

“She is the master of the casual, searing image; in a department store in Foreign Bodies, a woman is ambushed by "floating tongues of perfume". During an awkward conversation between two people "a stillness blundered between them." In Heir to the Glimmering World, Professor Mitwisser, a Jewish exile from Nazi Germany, has eyes "acutely blue . . . I was shocked by their waver of bewilderment – like heat vibrating across a field."”

“Cynthia Ozick is one of America’s greatest living writers. What makes her work breathtaking is its unvarying subject, a single idea that encompasses all that marks American life, Jewish tradition and every other challenge to the world as it is: ambition.”

“Cynthia Ozick, in her landmark feminist essay "Notes Toward Finding the Right Question," has strikingly if shockingly-lamented the exclusion of women from the tradition of Jewish learning and creativity as "one of the cruelest events in Jewish history."”