"The Tradition", in Poetry, ed. by Harriet Monroe, III, 3 (December 1913), p. 137; reprinted in Literary Essays of Ezra Pound (1968), p. 91.
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Both in Greece and in Provence the poetry attained its highest rhythmic and metrical brilliance at times when the arts of verse and music were most closely knit together, when each thing done by the poet had some definite musical urge or necessity bound up within it.
— Ezra Pound
What It Means
This is a placeholder explanation generated by the low-overhead model. It interprets "Both in Greece and in Provence the poetry attained its highest rhythmic and metrical brilliance at times when the arts of verse and music were most closely knit together, when each thing done by the poet had some definite musical urge or necessity bound up within it." in the context of ""The Tradition", in Poetry, ed. by Harriet Monroe, III, 3 (December 1913), p. 137; reprinted in Literary Essays of Ezra Pound (1968), p. 91." to mean that wisdom is timeless.
Source: Wikiquote: "Ezra Pound" (Quotes)
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About Ezra Pound
Ezra Pound (October 30, 1885 – November 1, 1972) was an American expatriate poet, musician and critic who was a major figure of the Modernist movement in early to mid-20th century poetry. He was the driving force behind several Modernist movements including Imagism and Vorticism.
About Ezra Pound
Ezra Pound (October 30, 1885 – November 1, 1972) was an American expatriate poet, musician and critic who was a major figure of the Modernist movement in early to mid-20th century poetry. He was the driving force behind several Modernist movements including Imagism and Vorticism.
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