Cherríe Moraga Quotes (1952-)

“to change the world, we have to change ourselves-even sometimes out most cherished, block-hard convictions.”

“Revolution is not only won by numbers, but by visionaries, and if artists aren't visionaries, then we have no business doing what we do.”

“Grassroots feminists continue to be undermined by single-issue liberals who believe that by breaking a class-entitled glass ceiling—'beating the boys at their own game'—there is some kind of "trickle down" effect on the actual lives of workingclass and poor women and children. This is the same "trickle down" of our share of corporate profit, secured by tax benefits for the wealthy, that has yet to land on our kitchen tables, our paychecks, or our children's public school educations. Social change does not occur through tokenism or exceptions to the rule of discrimination, but through the systemic abolishment of the rule itself.”

“In response to the federal government's "bailout" betrayal of its citizens, the Occupy Movement and its slogan of "we are the 99%" spilled onto Wall Street and onto the Main Streets of this country, spreading the dirtiest five-letter word in "America": C-L-A-S-S. The Emperor's nakedness had been revealed: the United States is a class-based society, with an absolutely unconscionable unequal distribution of wealth and resources upheld by our government. For that revelation alone, in that it inspired a critical view of class inequity in this country, I am beholden to the Occupy movement, misnomered as it is. Although women of color and workingclass people were not represented there in large numbers, these activists, of some social privilege, publicly (and en masse) acknowledged that they were being bamboozled by their own government. Just like us. This is what the "Occupy" movement proffered, the possibility of a one day aligned oppositional movement.”

“In a uniquely distinct way, Audre Lorde's and Toni Cade Bambara's presence in Bridge also impacted Bridge's success. Audre and Toni were exemplary sister-writers, emblematic of that great surge of Black feminist writing spilling into our hands in 1970s and 80s. As "sisters of the yam"... they stood up in unwavering solidarity with the rest of us "sisters of the rice, sisters of the corn, sisters of the plantain" and that mattered. It helped put Bridge, coedited by two "unknown" Chicana writers, on the political-literary map. All in all, it was a brave moment in feminist history.”

“"Poetry of Heroism" was presented at "Sister Comrade: Celebrating the Lives of Audre Lorde and Pat Parker" on November 3, 2007, at the First Congregational Church in Oakland, California. Angela Davis, Judy Grahn, Jewelle Gomez, Holly Near, Linda Tillery, and Mary Watkins were among the presenters who gave memorial tribute to these foremothers of the lesbian-of-color movement.”

“One of the deepest wounds Chicanos suffer is separation from our Southern relatives. Gloria Anzaldúa calls it a "1,950-mile-long open wound," dividing México from the United States, "dividing a pueblo, a culture." This "llaga" ruptures over and over again in our writing, Chicanos in search of a México that never wholly embraces us. "Mexico gags," poet Lorna Dee Cervantes writes, "on this bland pocha seed." This separation was never our choice.”

“we, the kids and I, have fallen in love with theater's power to teach. Truth. Or lies. You choose, as Boal reminds us.”

“Aurora Levins Morales's work should absolutely be supported. She has an impeccable progressive and visionary politic. Her prose has the literary eloquence of a pure poetry.”

“The vision that impels feminists to action was the vision of the Grandmothers' society, the society that was captured in the words of the sixteenth-century explorer Peter Martyr nearly five hundred years ago. It is the same vision repeated over and over by radical thinkers of Europe and America, from François Villon to John Locke, from William Shakespeare to Thomas Jefferson, from Karl Marx to Friedrich Engels, from Benito Juarez to Martin Luther King, from Elizabeth Cady Stanton to Judy Grahn, from Harriet Tubman to Audre Lorde, from Emma Goldman to Bella Abzug, from Malinalli to Cherríe Moraga, and from Iyatiku to me. That vision as Martyr told it is of a country where there are "no soldiers, no gendarmes or police, no nobles, kings, regents, prefects, or judges, no prisons, no lawsuits... All are equal and free."”

“What you could say is that in the sixties and the early seventies the Chicanos were at the controls. They were the ones who were visible, the Chicano leaders. Then in the eighties and nineties, the women have become visible. I see a lot of Chicanas when I travel. They come up to me, and while we are talking I ask them about their role models. They mention names like Cherríe Moraga, Gloria Anzaldúa and other Chicana authors. It is, and will continue to be, women that they are reading, that they respect. Not the guys. So it-the Chicano Movement-has shifted into the Movimiento Macha.”

“In response to an upsetting confrontation between Jewish women and women of color in a New England regional Women's Studies Conference,** Cherríe Moraga (et al.) wrote in Gay Community News, "We don't have to be the same to have a movement, but we do have to be accountable for our ignorance. In the end, finally, we must refuse to give up on each other."”

“In the case of Moraga, her dream of a "unified Third World feminist movement" reflects a similar longing for immediacy and "harmony... consensus and mutual understanding." Here, Moraga would do well to take up Iris Marion Young's call to envision the political as "a relationship of strangers who do not understand one another in a subjective and immediate sense, relating across time and distance."”

“the contributions of people whom we may now identify as lesbian, gay, bisexual, or transgender are integral and central to how we conceptualize our national history. Without the work of social activists, thinkers, writers, and artists such as We'Wha, Walt Whitman, Emily Dickinson, Martha "Calamity" Jane Cannary Burke, Edith Guerrier, Countee Cullen, Ethel Waters, Bayard Rustin, Roy Cohn, Robert Mapplethorpe, Cherrie Moraga, and Lily Tomlin, we would not have the country that we have today.”

“Working-class women's literature, women of color, specifically Latina women's writing like my friend Ana Castillo's, or my friend Cherrie Moraga's, Helena Viramontes's, Elena Poniatowska's, and Marguerite Duval's sends me all the way to my typewriter as much as Manuel Puig's stories.”

“It will be six years next month since the vision of KTP (Kitchen Table Press) became a reality through the hard work of Barbara Smith and Cherrie Moraga and Myrna and the others.”

“The most striking change during the past 20 years can be seen in attitudes toward homophobia. In the late 1960s and early 1970s, an almost total silence hung over gay and lesbian advocacy. No openly gay person could be a movement leader. Today homophobia persists; most progressive, straight Chicanos as well as Chicanas still fail to see gay and lesbian rights as another struggle of other oppressed people. Too still fail to see homophobia as a sometimes murderous force of discrimination. But the situation has improved, especially in some major cities, in academia and among youth. A lesbian caucus of NACCS was formalized at its 1992 national conference in Albuquerque, thus establishing an official rejection of homophobia toward lesbians. Gay and lesbian Raza groups and individuals are out there now, as they never could be before. The work of Chicana lesbian artists and intellectuals such as Gloria Anzaldúa and Cherrie Moraga has been crucial to this liberation, with benefits going beyond las lesbianas. Wherever one finds strong voices for women among Chicanas, they often come from Lesbians.”

“Cherríe and I — for about, I don’t know, a year or two — were a two-woman writing support group. We just got together and shared our work, which was wonderful. So that I was somebody who was in her life when she and Gloria [Anzaldúa] got together and talked about putting out This Bridge Called My Back.”

“What I like about Chicana writers like Gloria Anzaldúa, Cherrie Moraga, and others is that they have very important things to say. They have a vision, a feminist vision.”

“The works of Chicana lesbian writers Gloria Anzaldúa, Cherrie Moraga, Emma Pérez, Ana Castillo, Alicia Gaspar de Alba, Carla Trujillo, and many others bring out the pain and isolation, but, as important, their joys, self-respect, courage, and dignity.”

“We realized we were on our own and started bonding together, Latina women writers like Cherrie Moraga, Jewel Gómez, black writers like Audre Lorde and Ntozake Shange, who wrote For Colored Women, we understood we had to support each other or nobody would.”