Stephen King Quotes (1947-)
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Best Stephen King Quotes
Explore our curated collection of the most famous and impactful Stephen King quotes.
Clay Riddell: "I'll a-babbalah your a-kazzalah, you fuck!"”
Clay Riddell: "No. You still have them. They just grow up, too."”
“It’s still going on,” the survivor said calmly.”
Sometimes you can just get bored with afternoon TV.”
The memories: they're the reality.”
As always, the glum knowledge that he would not write as well as he wanted to write.
As always the terror of not being able to finish, of accelerating into a brick wall.
As always, the marvelous joyful nervy feeling of journey begun.”
And the electric chair, of course.”
Art consists of the persistence of memory.”
When asked what love eats:
Friendship. It eats friendship.”
"Congratulations to you, " I said. "You just described modern psychiatry. That ought to be the textbook definition, Don. Now, let me tell you: you'll take a piss out the window if I tell you to. And God help you if I catch you in a lie. That will get somebody killed too. Ready to bare your soul, Don? Are you on your mark?"”
Except ... we've known each other for a very long time, and I suspect you know that's not entirely true.
Is it?”
"What, Stuart?
" "Do you think... do you think people ever learn anything?"
She opened her mouth to speak, hesitated, fell silent. The kerosene lamp flickered. Her eyes seemed very blue. "I don't know," she said at last. She seemed unpleased with her answer; she struggled to say something more, to illuminate her first response, and could only say it again:
I don't know.”
He thought again: Meet the new boss. Same as the old boss.”
More gunfire. A scream.
Background: "-them all! Get them all! Death to the war-pigs-"
Heavy gunfire. Then silence on the band.”
Or so Bill Denbrough sometimes thinks on those early mornings after dreaming, when he almost remembers his childhood, and the friends with whom he shared it.”
“It’s gonna be all right,” he told her, not really believing it, knowing as every adult knows in his secret heart that nothing is really all right, ever.”
I looked at him to make sure he wasn't joking. I didn't think he was. "What do you mean?"
"I mean we're fixing to kill a gift of God," he said. "One that never did ary harm to us, or to anyone else. What am I going to say if I end up standing in front of God the Father Almighty and He asks me to explain why I did it? That it was my job? My job?"”
"My God," he whispered, and turned his stunned face to look at Nick. "All this? All this?"
Nick nodded, his hand still on the gunbutt.
Mike started to say something, and it turned into a coughing spasm. He covered his mouth, then wiped his lips.
"I'm getting the Christ out of here," he said. "You're wise, you'll do the same thing, mutie. This is like the black death, or somethin."
Nick shrugged, and Mike started down the sidewalk. He moved faster and faster until he was nearly running. Nick watched him until he was out of sight, and then went back inside. He never saw Mike again.”
He strode away and Lloyd saw the door-guard standing atop the ramp in the truck-loading bay on the other side of the exercise yard. His thumbs were hooked in his Sam Browne belt and he was grinning at Lloyd. When he saw he had Lloyd's complete, undivided attention, the door-guard shot him the bird with the middle fingers of both hands. Mathers strolled over to the wall, and the door-guard threw him a pack of Tareytons. Mathers put them in his breast pocket, sketched a salute, and walked away. Lloyd lay on the ground, his knees drawn up to his chest, hands clutching his cramping belly, and Devins's words echoed in his brain: It's a tough old world, Lloyd, it's a tough old world.
Right.”
Outside, its tracks begin to fill up with snow, and the shriek of the wind seems savage with pleasure. There is nothing of God or Light in that heartless sound—it is all black winter and dark ice.
The cycle of the Werewolf has begun.”
I shot her; she fell; and there was an indescribable moment of silence, an infinite duration of time, and we all stepped back, watching the ball go around and around, ticking, bouncing, lighting for an instant, going on, heads and tails, red and black, odd and even.
I think that moment ended. I really do. But sometimes, in the dark, I think that hideous random moment is still going on, that the wheel is even yet in spin, and I dreamed all the rest.
What must it be like for a suicide coming down from a high ledge? I'm sure it must be a very sane feeling. That's probably why they scream all the way down.”
(Naw, you got a flashlight, he the one with the searchlight.)
And sometimes that light, that shine, seemed like a pretty nice thing. You could pick the horses, or like the boy had said, you could tell your daddy where his trunk was when it turned up missing. But that was only dressing, the sauce on the salad, and down below there was as much bitter vetch in that salad as there was cool cucumber. You could taste pain and death and tears. And now the boy was stuck in that place, and he would go. For the boy. Because, speaking to the boy, they had only been different colors when they used their mouths. So he would go. He would do what he could, because if he didn't, the boy was going to die right inside his head.
But because he was human he could not help a bitter wish that the cup had never been passed his way.”
"No," Bobby Terry whispered.
He began to turn around.
The clocking sound was speeding up. A fast walk, a trot, a jog, run, sprint, and Bobby Terry got all the way around, too late, he was coming. Flagg was coming like some terrible horror monster out of the scariest picture ever made. The dark man's cheeks were flushed with jolly color, his eyes were twinkling with happy good fellowship, and a great hungry voracious grin stretched his lips over huge tombstone teeth, shark teeth, and his hands were held out in front of him, and there were shiny black crowfeathers fluttering from his hair.
No, Bobby Terry tried to say, but nothing came out.
"HEY, BOBBY TERRY, YOU SCROOOOWED IT UP!" the dark man bellowed, and fell upon the hapless Bobby Terry.
There were worse things than crucifixion.
There were teeth.”
That's a pretty sweeping statement, and I know how phony it sounds. It sounds petulant and really fantastic, the kind of weapon kids always use when the old man won't come across with the car for your heavy date at the drive-in with Peggy Sue or when he tells you that if you flunk world history the second time through he's going to beat the living hell out of you. In this day and age when everybody thinks psychology is God's gift to the poor old anally fixated human race and even the president of the United States pops a trank before dinner, it's really a good way to get rid of those Old Testament guilts that keep creeping up our throats like the aftertaste of a bad meal we overate. If you say your father hated you as a kid, you can go out and flash the neighborhood, commit rape, or burn down the Knights of Pythias bingo parlor and still cop a plea.
But it also means that no one will believe you if it's true. You're the little boy who cried wolf. And for me it's true...I don't think Dad himself really knew it until then. Even if you could dig to the very bottom of his motives, he'd probably say - at the most - that he was hating me for my own good.”
A grainy shot of a truck backing down a pier jutting out over Boston Harbor, a big olive-covered army truck. Below it, riding uncertainly, was a barge covered with canvas tarps. Two soldiers, rugose and alien in gas masks, jumped down from the truck's cab. The picture jiggled and joggled, and then became steady again as they pulled back the canvas sheet covering the open rear end of the truck. Then they jumped up inside, and bodies began to cascade out onto the barge: women, old men, children, police, nurses; they came in a cartwheeling flood that never seemed to end. At some point during the film-clip it became clear that the soldiers were using pitchforks to get them out.
Palmer went on broadcasting for two hours, his steadily hoarsening voice reading clippings and bulletins, interviewing other members of the crew. It went on until somebody on the ground floor realized that they didn't have to re-take the sixth floor to stop it. At 11:16, the WBZ transmitter was shut down permanently with twenty pounds of plastique.
Palmer and the others on the sixth floor were summarily executed on charges of treason to their government, the United States of America.”
To the public eye, the spouses of well-known writers are all but invisible, and no one knew it better than Lisey Landon. Her husband won the Pulitzer and the National Book Award, but Lisey had given one interview in her life. This was for the well-known women's magazine that publishes the column "Yes, I'm Married to Him!" She spent roughly half of its five hundred word length explaining that her nickname rhymed with "CeeCee". Most of the other half had to do with her recipe for slow-cooked roast beef. Lisey's sister Amanda said that the picture accompanying the interview made Lisey look fat.
None of Lisey's sister were immune to the pleasures of setting the cat among the pigeons ("stirring up a stink" had been their father's phrase for it), or having a good natter about someone else's dirty laundry, but the only one Lisey had a hard time liking was this same Amanda. Eldest (and oddest) of the onetime Debusher girls of Lisbon Falls, Amanda currently lived alone, in a house which Lisey had provided, a small, weather-tight place not too far from Castle View where Lisey, Darla, and Cantata could keep a eye on her. Lisey had bought it for her seven years ago, five before Scott died. Died Young. Died Before His Time, as the saying was. Lisey still had trouble believing he'd been gone for two years. It seemed both longer and the blink of an eye.
”"Lisey?" Amanda asked. Her brow was deeply furrowed.
"I'm sorry," Lisey said. "I just kind of...went off there for a second".
"You often do," Amanda said. "I think you got it from Scott. Pay attention, Lisey. I made a little number on each of his magazines and journals and scholarly things. The ones piled over there against the wall." Lisey nodded as if she knew where this was going. "I made the numbers in pencil, just light," Amanda went on. "Always when you're back was turned or you were somewhere else, because I thought if you saw you might have told me to stop."
"I wouldnt've." She took the little notebook which was limp with its owner sweat. "Eight hundred and forty six! That many!" And she knew the publications running along the wall weren't the sort she herself might read and have in the house, ones like O and Good Housekeeping and Ms., but rather Little Sewanee Review and Glimmer Train and things with incomprehensible names like Piskya.
"Quite a few more than that," Amanda said, and cocked a thumb at the piles of books and journals. When Lisey really looked at them, she saw that her sister was right. Many more than eight hundred and forty-some. Had to be. "Almost three thousand in all, and where you'll put them or who'd want them I'm sure I can't say. No, these eight hundred and forty-six is just the number that have pictures of you."
”Carl Hough and Bill Jamieson had taken off from the Springs at 6:02PM to run a recon mission east of Vegas. One of their other trainee pilots, Cliff Benson, had been riding with Carl as an observer.
At 6:12PM both helicopters had blown up in the air. Stunned though he had been, Stan had sent five men over to Hangar 9, where two other skimmers and three large Baby Huey copters were stored. They found explosive taped to all five of the remaining choppers, and incendiary fuses rigged to simple kitchen timers. The fuses were not the same as the ones Trash had rigged to the fuel trucks, but they were very similar. There was not much room for doubt.
It was the Trashcan Man," Stan said. "He went hogwild. Jesus Christ only knows what else he's wired up to explode out here."
"Check everything," Lloyd said. His heartbeat was rapid and thready with fear. Adrenaline boiled through his body, and his eyes felt as if they were in danger of popping from his head. "Check everything! You get every man jack out there and go from one end to the other of that cock-knocking base. You hear me, Stan?"
"Why bother?"
"Why bother?" Lloyd screamed. "Do I have to draw you a picture, shitheels? What's the big dude gonna say if the whole base-"
"All our pilots are dead," Stan said softly. "Don't you get it, Lloyd? Even Cliff, and he wasn't very fucking good. We've got six guys that aren't even close to soloing and no teachers. What do we need those jets for now, Lloyd?"
And he hung up, leaving Lloyd to sit thunderstruck, finally realizing.”
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Misattributed Quotes
Quotes mistakenly credited to Stephen King
Amid the moist and coldest frosts,
With barest wrists and stoutest boasts,
He thrusts his fists against the posts,
And still insists he sees the ghosts.”
Amidst the mists and coldest frosts
With barest wrists and stoutest boasts
He thrusts his fists against the posts
But still insists he sees the ghosts.”