André Breton Quotes (1896-1966)

“ENCYCLOPEDIA: Philosophy. Surrealism is based on the belief in the superiority of certain forms of previously neglected associations, in the omnipotence of dreams, in the disinterested play of thought.”

“Everything tends to make us believe that there exists a certain point of the mind at which life and death, the real and the imagined, past and future, the communicable and the incommunicable, high and low, cease to be perceived as contradictions.”

“Art today can only be revolutionary, that is, it must aspire at the complete and radical reconstruction of society, even if for no other reason than to emancipate intellectual creation from the chains which obstruct it and to allow all mankind to rise to the heights that only geniuses could reach in the past.”

“Poetry worthy of its name is measured by the degree of abstention, of refusal, it implies, and that negative component of its nature must be maintained as essential: it balks at tolerating anything already seen, heard, agreed upon, at using anything already used except when diverting it from its previous function.”

“Freud very rightly brought his critical faculties to bear upon the dream. It is, in fact, inadmissible that this considerable portion of psychic activity (since, at least from man’s birth until his death, thought offers no solution of continuity, the sum of the moments of the dream, from the point of view of time, and taking into consideration only the time of pure dreaming, that is the dreams of sleep, is not inferior to the sum of the moments of reality, or, to be more precisely limiting, the moments of waking) has still today been so grossly neglected.”

“The treasure of the eye is elsewhere! Most artists are still for tuning around the hands of the clock.. ..without having the slightest concern for the spring hidden in the opaque case. The eye-spring.. ..Arshile Gorky – for me the first painter to whom the secret have been completely revealed.”

“At most, critics are permitted to say something about the conflicting aspects of the formation of the personality in question and to bring out the striking circumstances of that formation. Unquestionably in Césaire's case it would for once lead us, at full gallop, away from the path of indifference.”

“Under his [Chagall's] sole impulse metaphor [comparison of images] made its triumphal entry into modern painting.”

“My discovery, at the age of sixteen, of the Gustave Moreau museum influenced forever my idea of love... Beauty and love were first revealed to me there through the medium of a few faces, the poses of a few women.”

“So, André Breton, if tonight I dream I am screwing you, tomorrow morning I will paint all of our best fucking positions with the greatest wealth of detail.”

“We lived in New York between 1941 and 1945 in a great friendship, running museums and antiquarians together. I owe him a lot about the knowledge and appreciation of objects. I've never seen him [Breton] doing a mistake on exotic and unusual objects. When I say a mistake, I mean about its authenticity but also its quality. He [Breton] had a sense, almost of divination.”

“I had always believed in Andre Breton's freedom, to write as one thinks, in the order and disorder in which one feels in thinks, to follow sensations and absurd correlations of events and images, to trust to the new realms they lead one into. "The cult of the marvelous." Also the cult of the unconscious leadership, the cult of mystery, the evasion of false logic. The cult of the unconscious as proclaimed by Rimbaud. It is not madness. It is an effort to transcend the rigidities and the patterns made by the rational mind.”