Elena Poniatowska Quotes (1932-)

“I admire Octavio Paz very much... but I don't but I don't agree with one of his theses about Mexican history. He maintains that the Plaza of the Three Cultures is a place of sacrifices, and that because we have Aztec ancestors we are condemned cyclically to slaughter a great number of people. This thesis is highly debatable... It's not possible to say that because we carry within us the potential for human sacrifice, we retain across the years the need to kill.”

“I have always responded to challenges, followed apocalyptical personalities, apostles, Rasputins, Joan of Arcs who hear voices that come from Heaven, illuminated guides of humanity, holders of truth, priests.”

“I have always responded to challenges, followed apocalyptical personalities, apostles, Rasputins, Joan of Arcs who hear voices that come from Heaven, illuminated guides of humanity, holders of truth, priests.”

“Our current president, Enrique Peña Nieto, could not name three books he had read and finally was obliged to fall back on the Bible. Too bad he doesn’t read the Mexican Constitution before going to bed. At least it would have something to do with his job!”

“Marjorie Agosin is like an elf. She disturbs us, amazes us, she forces us to be lighter, less terrestial. In her work, the unexpected and the mysterious go arm in arm. Unique in her genre, Marjorie Agosin could well be the creator of a new fantastic literature in Latin America.”

“If you look at early Rembrandt portraits, they are very linear and the brushstrokes are almost invisible. The late ones are much freer, and the brushstrokes are very obvious and as much a part of the work as the subject. These things are never intentional, and I cannot see how they can be explained.”

“Without realizing it the maids provided me with a version of Benito Juárez; they were all like Benito Juárez. Like him they vindicated themselves: "Dirty foreigners." Like him they defended Mexico, as stubborn as mules. Like him they had no roof of their own and had eaten only poor people's food, and for me, a girl raised on French mashed potatoes, discovering them meant entering into "the other."”

“I admire Octavio Paz very much... but I don't but I don't agree with one of his theses about Mexican history. He maintains that the Plaza of the Three Cultures is a place of sacrifices, and that because we have Aztec ancestors we are condemned cyclically to slaughter a great number of people. This thesis is highly debatable... It's not possible to say that because we carry within us the potential for human sacrifice, we retain across the years the need to kill.”

“For Stephen Spender, the Spanish Civil War in 1936 was a war of classes, on an international scale; the capitalistic class, backed by international imperialism, against the democratic will of 80 percent of the Spanish people. In 1990, the reality of Latin America is not very different from Spender's Spain. In Latin America, wars are class wars, on one side the oligarchy linked to the military class and the great capital and, on the other, the poor people, the ones who have nothing to lose. Fear of communism in 1936 is still flagrant in 1990. And more absurd, more mediocre.”

“I have read everything by Simone Weil, who was an extraordinary woman gifted with immense empathy. But I think she might have profited from some better advice. She was not physically strong and yet, in order to directly experience the struggle of working people, she undertook factory work that was too much for her. And she also fought in the Spanish Civil War and, being somewhat clumsy, stepped into a pail of boiling oil, was severely burned, and went to Portugal to recuperate. Later, she would eat only the minimal portion of food she believed was available to people in occupied France—a few potatoes perhaps. She had been diagnosed with tuberculosis, and this may well have contributed to her death. (Then, as you see her, she is more of an inspiration than a model.) EP: Yes, an inspiration. She could not have been a model for me because I am neither a genius nor a mystic and, like Leonora, I had children I loved and for whom I was responsible, so that even if I had discovered a vocation of this sort in myself, I could not have lived such an extreme life.”

“Like the Mexican writer Elena Poniatowska, I have tried to tell the stories my characters would tell if they were writers”

“(What moves you most in a work of literature?) I’m not yet the writer I aspire to be, but at my age, great books written by women over 60 give me hope. Diana Athill, Colette, Harriett Doerr, Marguerite Duras, Grace Paley, Elena Poniatowska, Jean Rhys, Mercé Rodoreda, to name but a few.”

“In light of her later books, we tend to read irony into Elena Poniatowska's claim of meek docility, but the lesson of her early interviews predicts Audre Lorde's eloquent and cautionary charge that "the master's tools will never dismantle the master's house. They may allow us temporarily to beat him at his own game, but they will never enable us to bring about genuine change. And this fact is only threatening to those women who still define the master's house as their only source of support."”