Thorstein Veblen on German Empire

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β€œThe case of Germany is unexampled among Western nations both as regards the abruptness, thoroughness and amplitude of its appropriation of this technology, and as regards the archaism of its cultural furniture at the date of this appropriation.”
Thorstein Veblen
β€œThe German ideal of statesmanship is, accordingly, to make all the resources of the nation converge on military strength; just as the English ideal is, per contra, to keep the military power down to the indispensable minimum required to keep the peace.”
Thorstein Veblen
β€œImperial Germany does not depart sensibly from the pattern of Prussia under Frederick the Great, in respect of its national policies or the aims and methods of government control, nor do the preconceptions of its statesmen differ at all widely from those prevalent among the dynastic jobbers of that predaceous era of state-making.”
Thorstein Veblen
β€œBoth German and English-speaking peoples make much of personal liberty, as is the fashion in modern Christendom, but it would seem that in the German conception this liberty is freedom to give orders and freely to follow orders, while in the English conception it is rather an exemption from ordersβ€”a somewhat anarchistic habit of thought. It was this dynastic power of the Prussian State, resting on an authentic tradition of personal fealty, unlimited in the last resort, that was the largest single factor of a cultural kind entering into the Imperial era from the German side.”
Thorstein Veblen
β€œThis modern state of the industrial arts that so has led to the rehabilitation of a dynastic state in Germany on a scale exceeding what had been practicable in earlier times,β€”this technological advance was not made in Germany but was borrowed, directly or at the second remove, from the English-speaking peoples, primarily, and in the last resort almost wholly, from England. What has been insisted on above is that British use and wont in other than the technological respect was not taken over by the German community at the same time. The result being that Germany offers what is by contrast with England an anomaly, in that it shows the working of the modern state of the industrial arts as worked out by the English, but without the characteristic range of institutions and convictions that have grown up among English-speaking peoples concomitantly with the growth of this modern state of the industrial arts. Germany combines the results of English experience in the development of modern technology with a state of the other arts of life more nearly equivalent to what prevailed in England before the modern industrial regime came on; so that the German people have been enabled to take up the technological heritage of the English without having paid for it in the habits of thought, the use and wont, induced in the English community by the experience involved in achieving it.”
Thorstein Veblen