Samuel R. Delany Quotes (1942-)

“The viewer is a 'co-producer" of the comics text at a level of involvement and intensity just through the nature of the medium itself.”

““It’s a map of a non-existent coast under an imaginary constellation on an impossible sky in—” he grunted, twisting something—“the middle of a ring of meaningless numbers. That’s why it’s powerful. That’s why it’s magic.””

“The city is very different from the country, girl. It is a kind of shared consciousness that begins its work on you as soon as you enter it, if not well before, a consciousness that begins to separate you from the country possibly even before you decide to journey toward it. It encircles you with forces much greater than the walls and gates which imitate tinier villages or towns. People who come to it come seeking the future, not realizing all that will finally affect them in it is their own, only more or less aware, involvement with the past. The way we do things here—really, that’s all there is to be learned in our precincts. But in the paving of every wide, clear avenue, in the turnings of every dark, overhung alley, in the ornaments on every cornice, in the salt-stained stones of each neighborhood cistern, there are traces of the way things once were done—which is the key to why they are done as they are today.”

““You are not traditionally beautiful; and you know it. We women do. But what most people mean by beauty is really a kind of aesthetic acceptability, not so much character as a lack of it, a set of features and lineaments that hide their history, that suggest history itself does not exist. But the template by which we recognize the features and forms in the human body that cause the heart to halt, threatening to spill us over into the silence of death—that is drawn on another part of the soul entirely...But all sing, chant, hymn the history of the body, if only because we all know how people regard bodies that deviate from the lauded and totally abnormal norm named beauty. Most of us would rather not recognize such desires in ourselves and thus avoid all contemplation of what the possession of such features means about the lives, the bodies, the histories of others, preferring instead to go on merely accepting the acceptable. But that is not who I am.””

“The work ... abounds in literary, historical and mythological allusions. The sensitivities revealed are far-ranging, capable of fine psychological and sociological analysis, and are as responsive to the contemporary as to the traditional... There is no other writer who, dealing with the struggle between life and death on such a fantastically rarefied level can evoke so much hunger for the stuff of living itself.”

“Sam Delaney said about science fiction that it was a rich symbiotic environment that talks about what you desire. Someone was asking him about sexuality in his work and whether he thought the genre of science fiction allowed him to play, and he said that there was something, not just about science fiction books, but about science fiction culture, about going to cons, and about that being a unique place in allowing people to articulate what they desire and what they fantasize about, whether or not it was something they would actually do, that this freed them up in a way.”