Tom Seaver on Roberto Clemente

“Is he keeping his hands behind him on the bat, even while he strides forward with his front foot? This is usually the sign of a great hitter, who can commit part of his body to a pitch while maintaining sufficient control and arm strength to do you damage at the last split-second. Willie Mays and Roberto Clemente had this superior ability to wait on a pitch with their arms back, even as they stepped forward. There was no set way to pitch them except to vary your pitch selection while remaining alert to signs of particular strengths, weaknesses, or preferences that they exhibited in any given at-bat.”

“He had developed great wrist strength, and not only could he jerk one out of the park even when swinging late, but he could also drive an inside pitch to the opposite field. Take it from me: he was almost impossible to pitch to.”

“He stood there, far away from the plate with that great big long bat, and with those strong hands he controlled it like crazy, hitting pitches on the other side of the plate. There was that one area out there at the knees off the outside corner. If you hit that spot with a pitch, he’d look and walk away. If you missed it, he’d hit the ball very hard.”

“I had a kind of dual relationship with a Roberto Clemente, a Henry Aaron, a Willie Mays. You watch them and you appreciate their professional approach and their God-given expertise of the game. Then you're competing against them. [...] Clemente and Mays and Aaron. These are the guys who, when you weren’t pitching, you just sat there and watched them play, watched what they did. Anybody who watched the ball when Willie Mays was on the field was crazy. And Clemente was very much the same.”