Robert Hughes Quotes (1938-2012)

Writer

About Robert Hughes

Robert Studley Forrest Hughes (28 July 1938 – 6 August 2012) was an Australian art critic, writer, and documentary broadcaster.

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Explore our curated collection of the most famous and impactful Robert Hughes quotes.

“There's no geist like the Zeitgeist.”
“How immeasurably fortunate my father was in his faith!”
“In America, nostalgia for things is apt to set in before they go.”
Robert Hughes
“What strip-mining is to nature, the art market has become to culture.”
Robert Hughes
“The hallmark of the minor artist is to be obsessed with style as an end in itself.”
Robert Hughes
“The sense of not having the whole story that comes from living close up to traumatic events.”
Robert Hughes
“In the real world, mice do exist and they generally go about their business whether we see them or not. (p. 17)”
Robert Hughes
“...what has become my frequent prayer since I have had to face death -"Thy holy will, O Lord, not mine be done!"”
Robert Hughes
“I managed to fail Arts I, a course that a moderately intelligent amoeba could have passed without special coaching.”
“The truly radical work of art is the one that offers you something to hold on to in the midst of the flux of possibility.”
“The greater the artist, the greater the doubt; perfect confidence is granted to the less talented as a consolation prize.”
Robert Hughes
“We all come into the world with baggage which, in the end, we have no hope of reclaiming, The main item in mine was my father.”
“The desire to be primitive was very much a function of fin-de-siècle imperialism; it appealed to strong egos and domineering minds.”
Robert Hughes
“Our culture puts enormous emphasis on "socialization", on the supposedly supreme virtues of establishing close relations with others.”
Robert Hughes
“Some new works of art have values of some kind or another. Others, the majority, have little or none. But newness as such, in art, is never a value.”
Robert Hughes
“No original Gauguins were to be seen in Australia, for post-impressionism was officially thought to be the vulgar effusion of five-thumbed lunatics. (p. 24)”
“With hindsight, one can perhaps see that unachievable projects were the right monuments to an ideal. Because they were not built, they could not be destroyed. (p. 92)”
Robert Hughes
“It is the nature of carnivores to get power and then, having disposed of their enemies, to deploy the emollient powers of Great Art to make themselves look like herbivores.”
“I realized that there is nothing whatever outside of the life we have; that the "meaning of life" is nothing other than life itself, obstinately asserting itself against emptiness and nullity.”
Robert Hughes
“So fishing contributed to an important lesson of my life -how to be alone. I still think solitude is one of the world's great gifts. "Se sei solo," wrote Leonardo da Vinci, "sarai tutto tuo"”
Robert Hughes
“It was van Gogh's madness that prevented him from working; the paintings themselves are ineffably sane, if sanity is to be defined in terms of exact judgment of ends and means and the power of visual analysis.”
“Like most artists who have made an invention of some kind, he tends to overplay the significance of his own and goes on about it as though it were a Rosetta Stone, with whose help all representation can be rescued from one-eyed falsehood.”
Robert Hughes
“The past is pervasive; it seeps into everything;... And yet because the past is irreplaceable and cannot be done again, it was that very past, not the present or the future, that was so delicate, so vulnerable, so dreadfully easy to erase.”
Robert Hughes
“If the making of the series had one repeated phrase that still echoes in my head, it was not heard on the soundtrack; the inexorable voice of Lorna Pegram, the producer, muttering: "It's a clever argument, Bob dear, but what are we supposed to be looking at?" (p. 7)”
“Perhaps the rhinos and she-crocodiles whose gyrations between Mortimer's and East Hampton give us our vision of social eminence today are content to entrust their faces to Andy Warhol's mingily cosmetic Polaroidising, but one would bet they would rather go to Sargent.”

Robert Hughes Quotes by Topic

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Robert Hughes on Impressionism

“No original Gauguins were to be seen in Australia, for post-impressionism was officially thought to be the vulgar effusion of five-thumbed lunatics.”
Robert Hughes

Robert Hughes on Effulgence

“His instrument for this was colour, betokening light. Nice gave him a different light from Paris -- a high, constant effulgence with little gray in it, flooding broadly across sea, city and hills, producing luminous shadows and clear tonal structures.”
Robert Hughes

Robert Hughes on Australia

“If Australia had not been settled as a prison and built by convict labor, it would have been colonized by other means; that was foreordained from the moment of Cook’s landing at Botany Bay in 1770. But it would have taken half a century longer, for Georgian Britain would have found it exceptionally difficult to find settlers crazy or needy enough to go there of their own free will.”
Robert Hughes

What Robert Hughes Said About Others

Discover personal opinions Robert Hughes shared regarding contemporaries.

Robert Hughes on Thomas Eakins

“He was never interested in conventional beauty. Sober, pinched, reflective, lined and melancholy, his portraits remind us of that. But how many American artists said more about the sense of being in the world? Eakins was that extreme rarity, an artist who refused to tell a lie even in the service of his own imagination.”
Robert Hughes

Robert Hughes on Francisco Goya

“Mengs [the official royal painter of the Spanish court] gave Goya official help and encouragement. Tiepolo [famous mural painter then] however, directly influenced his [Goya's] art. It was an odd juxtaposition.. ..at the end of the eighteenth century, two artists more unlike one another fostering the career of a third [young Goya].. ..What Goya recognized in Tiepolo was his abundant appetite for fantasy and caprice.”
Robert Hughes

About Robert Hughes

Robert Studley Forrest Hughes (28 July 1938 – 6 August 2012) was an Australian art critic, writer, and documentary broadcaster.