Robert E. Howard Quotes (1906-1936)

“Conan's scimitar licked out like the tongue of a cobra, and a Zamorian shrieked and fell, clutching his belly.”

“Her eyes were likewise neither wholly blue nor wholly grey, but of shifting colors and dancing lights and clouds of colors he could not define.”

“I don't believe I ever saw an Oklahoman who wouldn't fight at the drop of a hat — and frequently drop the hat himself.”

“Several books I purchased on my trip, among them G. K. Chesterton's The Ballad of the White Horse. Ever read it? It's great.”

“"Civilized men are more discourteous than savages because they know they can be impolite without having their skulls split, as a general thing."”

“When the world was young and men were weak, and the fiends of the night walked free, I strove with Set by fire and steel and the juice of the upas-tree;”

“Chief is Crom. He dwells on a great mountain. What use to call on him? Little he cares if men live or die. Better to be silent than to call his attention to you; he will send you dooms, not fortune!”

“If men are to meet steel with steel, they should be adequately armed. Long spears and short swords to meet a charge of long swords. If you don't believe that, read the chronicles of Rome and Macedonia.”

“You express amazement at my statement that 'civilized' men try to justify their looting, butchering and plundering by claiming that these things are done in the interests of art, progress and culture. That this simple statement of fact should cause surprize, amazes me in return. People claiming to possess superior civilization have always veneered their rapaciousness by such claims... Your friend Mussolini is a striking modern-day example. In that speech of his I heard translated he spoke feelingly of the expansion of civilization. From time to time he has announced; 'The sword and civilization go hand in hand!' 'Wherever the Italian flag waves it will be as a symbol of civilization!' 'Africa must be brought into civilization!' It is not, of course, because of any selfish motive that he has invaded a helpless country, bombing, burning and gassing both combatants and non-combatants by the thousands. Oh, no, according to his own assertions it is all in the interests of art, culture and progress, just as the German war-lords were determined to confer the advantages of Teutonic Kultur on a benighted world, by fire and lead and steel. Civilized nations never, never have selfish motives for butchering, raping and looting; only horrid barbarians have those.”

“Howard had a great love for all that was lost and strange and faraway. One thinks of him sitting at his typewriter in Cross Plains, Texas, a young man dreaming great dreams of gods and heroes far beyond the narrow boundaries of his own space and time, roaming free across the wonderful landscapes he saw in his mind.”

“Although he had his faults as a writer, Howard was a natural storyteller, whose narratives are unmatched for vivid, gripping, headlong action. His heroes – King Kull, Conan, Bran Mak Morn, Solomon Kane are larger than life: men of mighty thews., hot passions, and indomitable will, who easily dominate the stories through which they stride. In fiction, the difference between a writer who is a natural storyteller and one who is not is like the difference between a boat that will float and one that will not. If the writer has this quality, we can forgive many other faults; if not, no other virtue can make up for the lack, any more than gleaming paint and sparkling brass on a boat make up for the fact that it will not float.”

“"No wonder a few people in Cross Plains don’t like him. They don’t understand him. His preoccupation with history and with writing instead of the price of corn and cotton is something they could not understand Could I? I liked to talk about books. . . History. . . Writing. Well, this was an opportunity to listen to a very interesting storyteller!"”

“One cannot write about Robert E. Howard without writing about Texas. This is inevitable, and particularly so when discussing any aspect of Howard's biography. To ignore the presence of the Lone Star State in Robert E. Howard's life and writing invites, at the very least, a few wrongheaded conclusions, and at worst, abject character assassination. This doesn't keep people from plunging right in and getting it wrong every time.”

“Thriller was the first television program to discover the goldmine in those back issues of Weird Tales … Robert E. Howard's "Pigeons from Hell," one of the finest horror stories of our century, was adapted, and remains the favorite of many who remember Thriller with fondness.”

“The best pulp writer was Robert E. Howard... He painted in about the broadest strokes imaginable. A mass of glimmering black for the menace, an ice-blue cascade for the hero, between them a swathe of crimson for battle, passion, blood—and that was the picture, or story, rather, except where a vivid detail might chance to spring to life, or a swift thought-arabesque be added.”

“It is hard to describe precisely what made Mr. Howard's stories stand out so sharply; but the real secret is that he himself is in every one of them, whether they were ostensibly commercial or not. He was greater than any profit-making policy he could adopt — for even when he outwardly made concessions to Mammon-guided editors and commercial critics, he had an internal force and sincerity which broke through the surface and put the imprint of his personality on everything he wrote.”

“I also think that fantasy fans should go back and read the classics: obviously Tolkien if you haven’t read him, but also works like Fritz Leiber’s classic Fahfrd and the Grey Mousers stories; the original Conan stories by Robert E. Howard and his other characters like Bran Mak Morn and Solomon Kane; Jack Vance, one of my all-time favourites, the marvellous The Dying Earth stories by Jack Vance.”