Rembrandt Quotes (1606-1669)

Artist, Painter
Rembrandt

About Rembrandt

Rembrandt Harmenszoon van Rijn (15 July 1606 – 4 October 1669) was a Dutch painter, printmaker, and draughtsman. He is generally considered one of the greatest visual artists in history.

Best Rembrandt Quotes

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Explore our curated collection of the most famous and impactful Rembrandt quotes.

“Choose only one master — Nature.”
Rembrandt
“A painting is not made to be sniffed.”
Rembrandt
“Painting is the grandchild of nature. It is related to God.”
Rembrandt
“A painting is finished when the artist says it is finished.”
Rembrandt
“[..that he] would not touch the painting, nor finish it unless the claimant pays him the balance due or guarantees it by giving a security.”
Rembrandt
“..in order to etch, take white turpentine oil, and add half the turpentine to it; pour the mixture into a small glass bottle and let it boil in pure [?] water for half an hour.”
“Quote in original Dutch (citaat van Rembrandt in Nederlands): Dit is naer mijn huijsvrou geconterfeit do si 21 jaer oud was, den derden dach als wij getroudt waeren, den 8 junijus 1633”
“version in original Dutch (origineel citaat van Rembrandt, in Nederlands): Van d'waech af te sien statshuis van Amsterldam / doen 't afgebrandt was. / Den 9 july 1652. Rembrandt van Rijn.”
Rembrandt
“version in original Dutch (origineel citaat van Rembrandt, in Nederlands): Schikt u daer nae, dat gy 't geene gy alreets weet, wel leert in 't werk stellen, zoo zult gy de verborgentheden, daer gy nu na vraegt, tijts genoeg ontdekt zien...”
“version in original Dutch (origineel citaat van Rembrandt, in Nederlands): Een vroom gemoet / Acht eer voor goet - Rembrandt, Amsterdam 1634 http://remdoc.huygens.knaw.nl/#/document/remdoc/e4293”
Rembrandt
“This is portrayed after my wife when she was 21 years old, the third day after we were betrothed, on the 8th of June 1633 https://en.wikiquote.org/wiki/Rembrandt#/media/File:Rembrandt_Harmensz._van_Rijn_088.jpg”
“I can't paint the way they want me to paint and they know that too.
Of course you will say that I ought to be practical and ought to try and paint the way they want me to paint. Well, I will tell you a secret. I have tried and I have tried very hard, but I can't do it. I just can't do it! And that is why I am just a little crazy.”
“Anno 1659 / On Wednesday, May 14 / You are requested to attend the funeral of / Aegtje Nachtglas / daughter of the late Jacob Pietersz / Nachtglas / at the Cleveniers-Doele [Amsterdam] at one o'clock. Come as friend of the house / Nieuwe-Kerck. [Verso] So eager to catch Christ out in his answer that they could not wait for written reply.”
“Try to put well in practice what you already know; and in so doing, you will in good time, discover the hidden things which you now inquire about. Practice what you know, and it will help to make clear what now you do not know. By following carefully the rules of teachings provided that they are truthful, you can save a lot of time. But a student full of doubt is unable to move forwards and to judge well the truth.”
“As seen from the Weighing House, the Town Hall of Amsterdam / after it was burnt down. / July, the 9th 1652. / Rembrandt van Rijn.[Rembrandt The Ruins of the Old City Hall in Amsterdam (After the Fire). [ Rembrandt The Ruins of the Old City Hall in Amsterdam (After the Fire) ].”
Rembrandt
“For some variation it would be better
to place the donkey seen from behind
[to avoid] all faces looking out of the picture [forward]
And the tree could also have more foliage.
1. Joseph has been portrayed too fat and too recklessly
2. Mary should hold the child more gently
because a vulnerable child can't stand being held so firmly
Joseph is too short fat - his head is growing from his trunk
and both [Joseph & Mary] their heads are too big
”
“version in original Dutch (origineel citaat van Rembrandt, in Nederlands): ..soo ist door [mijn] geneegentheijt [voor Huygens de raadspensionaris] tot sulx tegens mijns/ heeren begeeren dees bijgaenden douck toesenden [ bij de brief]/ hoopende dat u mijner in deesen niet versmaeden/ sult want het is die eersten gedachtenis/ die ick aen mijn heer laet./.. ..[postscriptum]: Mijn heer hangt dit stuck op een starck licht en dat men daer wuijt ken afstaen soo salt best voncken.”
“My [dear] Sir: Let me first offer my kind regards. I agree that I should come soon to see how the picture accords with the rest. As regards the price, I certainly deserve 200 pounds for it, but shall be content with whatever His Excellency pays me. And if you, Sir, do not deem it presumptuous, I shall not neglect to requite the favor. Your humble and devoted servant Rembrandt - It [the picture] will show to [the] best advantage in His Excellency's gallery, since there it will be [displayed] in bright light.”
“I have read your pleasant letter of 14th with singular pleasure. I discern your kind inclination and affection which I feel deeply obliged to requite [you] with service and friendship. Because of [my] inclination to do this, [and] in spite of your wish (of Constantijn Huygens], [I] am sending [you] along [with this letter] a painting, hoping that you will accept it, because it is the first momento which I offer you, Sir.. ..postscripttum]: My [dear] Sir: hang this picture in a bright light and in such a manner that it can be viewed from a distance. It will then sparkle at its best.”
Rembrandt
“The Ground of Rinebrant of Rine: Take half an ounce of Expoltum burnt of Amber, one ounce of Virgin's was, half an ounce of Mastick, then take the Mastick and Expoltum, and beat them severally very fine in a Mortar; this being done, take a new earthen pot and set upon it a charcoal-fire, then shake into it the Mastick and Expoltum by degrees, stirring the Wax about till they be thoroughly mingled, then pour it forth into fair water and make a ball of it, and use it as before mentioned, but be sure you do not heat the plate too hot when you lay the ground upon it, this is the only way of Rinebrant.”
“Quote in original Dutch (citaat van Rembrandt in Nederlands):
Beeter waert dat (om de veranderin)
den eesel van achteren was / dan dat al de
hoofden iuist wt het stuck sien
dat oock omtrent die boom wat meerder
groente was
1 iosep heft alte swaer en te onbesuist
2 maria most het kindeken wat meerder vieren
want een teeder kint magh sulck duwen niet ve[elen?]
iosep alte kort en dick / syn hooft wast hem wt de [romp?]
sij hebben alle beide al te groote koppen http://remdoc.huygens.knaw.nl/#/document/remdoc/e4525”
“Because of the great zeal and devotion which I experienced in executing well the two pictures which His Highness commissioned me to make - the one being Christ's dead body being laid in the tomb [ 'The Entombment of Christ' ], and the other Christ arising from the dead to the consternation of the guards — these same two pictures are now finished through studious application, so that I am now disposed to deliver the same and so to afford to His Highness. For in these two paintings the greatest and most natural movement has been expressed [and rendered], which is also the main reason why they have taken so long to execute.”
Rembrandt
“..that I am very diligently engaged in proficiently completing the three Passion paintings which his Excellency has personally commissioned me [to do]: an Entombment https://commons.wikimedia.org/wiki/File:Rembrandt_van_Rijn_191.jpg, a Resurrection, and an Ascension of Christ.. .Of the above three, one has been completed, namely Christ's Ascension to Heaven, and the other two are more than half-finished.. ..as a token of my readiness to serve you with my favor, I cannot refrain from presenting you, [dear] Sir, my latest work. I trust that you most graciously will accept it in addition to my greetings.. ..reside [on] Nieuwe Doelstraat [Amsterdam], Feb. 1636”
“I am most astonished by what has been written about the [painting] 'Alexander', which is so well done that I must suppose there are not many lovers of art [amatori] at Messina. I am also surprised that Your Lordship [Don Antonio Ruffo] should complain as much about the price as about the canvas, but if Your Lordship wishes to return it as he did the sketch [schizzo] of Homer, I will do another Alexander.. .If Your Lordship likes the Alexander as is, very well. If he does not want to keep it, six hundred florins remain outstanding. And for the Homer [painting] five hundred florins plus the expenses of canvas, it being understood that everything is at Your Lordship's expense. Having agreed to it, would he kindly send me his desired measurements. Awaiting the response to settle the matter.”
Rembrandt

Quotes About Rembrandt

Gain deeper perspective through quotes about Rembrandt from others.

Arnout van Buchell on Rembrandt

“Also, the son of a miller [= Rembrandt] in Leiden is esteemed highly, though prematurely. Elyas Veldenus [= Esaias van der Velde ] is an elegant painter, though unimportant, now residing at the Hague. The rector Scrivelius showed me his portrait, very lifelike on a panel by the Haarlem painter Frans Hals. http://remdoc.huygens.knaw.nl/#/document/remdoc/e4383”

Constantijn Huygens on Rembrandt 6 quotes

“I have deliberately reserved for last a noble pair of youths from Leiden [Huygens visited Rembrandt and Jan Lievens in 1628]. Were I to say that they alone can vie with the greatest among the superior mortals mentioned earlier, I would still be underestimating the merits of these two; were I to say that they will soon surpass them, I would merely be expressing what their astonishing beginnings have led connoisseurs to expect.”
View all 6 quotes on Constantijn Huygens →

Source on Rembrandt 7 quotes

“Ah Rembrandt, do paint Cornelis' voice His appearance is the least of him The invisible one can learn by ear Those wanting to see Anslo, must him hear. (translation from original Dutch: Anne Porcelijn)”
View all 7 quotes on Source →

Joost van den Vondel on Rembrandt

“Explanatory version: Ah Rembrandt, try to paint Cornelis Anslo's voice / What one sees of his appearance is so little of him / What you can't see of him you can learn through hearing. / Those wanting a complete impression of him will have to hear him (preach). (transl. Aernout Hagen, Museum Het Rembrandthuis, Amsterdam)”

Peter Mundy on Rembrandt

“As for the art of Panting and the affection off the people to Pictures, I thincke none other goe beeyond them, there having bin in the Country Many excellent Men in thatt Faculty, some att Presentt, as Rimbrantt [Rembrandt], etts, All in general striving to adorne their houses, especially the outer or street roome, with costly peeces, Butchers and bakers not much inferiour in their shoppes, which are Fairely sett Forth, yea many tymes blacksmithes, Coblers, etts., will have some picture or some other by their forge and in their stalle. Such is the general Notion, enclination to Paintings. [i.m.] The affection of the people thereto, as Allso to the curious adorning and cleanly keeping of their houses, streets, etc.”
Rembrandt

Claude Vignon on Rembrandt

“Dear Sir, You would do me a great favor, when in London, to greet Mr. Cornelius Poelenburg, the celebrated painter, and other friends on my behalf. And if, by chance, the illustrious Mr. van Dyck has arrived there, I send him my humble greetings and tell him that yesterday I was called upon to appraise the paintings belonging to Mr. Lopez, including some by Titian.. ..Sir, if you happend to think of it, when you pass through Holland, please.. ..[try to] obtain paintings by Mr. Cornelio [Cornelius Poelenburgh] which you can easily find in London and Utrecht. In the latter city greet Gerrit [van] Honthorst, and in Amsterdam give my greetings to Mr. Rembrandt and bring back [buy!] something by him. Tell him also that yesterday I appraised his painting 'The Prophet Balaam', [Rembrandt painted in 1626}. which Mr. Lopez bought from him. This piece will be sold together with the ones mentioned above.”

Quote of notary Pieter Barcman on Rembrandt

“In the name of our Lord Amen.. ..Saskia van Uijlenburch, wife of the Honorable Rembrant van Rhijn, residing in this city, well known to me, the notary, although sick in bed, yet in full control of her memory and understanding, as it outwardly appeared, after commending her soul to God Almighty and her body to Christian burial, before me declared and appointed as her heirs Titus van Rijn, her son, as well as any other lawful child or children she might bear..”

Quote on Rembrandt

“Thus is Anslo https://commons.wikimedia.org/wiki/Category:Google_Art_Project_works_by_Rembrandt#/media/File:Rembrandt_-_The_Mennonite_Preacher_Anslo_and_his_Wife_-_Google_Art_Project.jpg depicted [by Rembrandt] Thus his piety is rendered his countenance So that if perchance The grand old man shall cease to speak, This present likeness will speak to nations.”

Baerleus on Rembrandt

“..dumb integuments teach. Cuts of flesh, though dead, for that very reason forbid us to die. Here, while with artful hand he slits the pallid limbs, speaks to us the eloquence of learned Tulp: 'Listener, learn yourself! and while you proceed through the parts, believe that, even in the smallest, God lies hid.'”

Quote of Jan Zoet - his praise of Rembrandt on Rembrandt

“original old-Dutch text: ..dat zy de schilderyen, Van Rembrant zellever, verduistert met de naald, Die een pinceel verstrekt, daar zy met goud mee maalt...”

Philip de Koninck on Rembrandt

“original old-Dutch text: Dees tekeningh vertoont de buiten amstel kant / Soo braaf getekent door heer Rembrants eijgen hant / P. Ko: f 5:-”

Lambert Bos on Rembrandt

“in original old-Dutch: Ick sal niet pogen uwe roem O Rembrandt met mijn pen te malen, Elck weet wat eer dat ghy kont halen Wanneer ick slechts u name roem http://remdoc.huygens.knaw.nl/#/document/remdoc/e4590”

About Rembrandt

Rembrandt Harmenszoon van Rijn (15 July 1606 – 4 October 1669) was a Dutch painter, printmaker, and draughtsman. He is generally considered one of the greatest visual artists in history.