Orson Welles on John Ford
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βStanley Kubrick and Richard Lester are the only ones that appeal to meβexcept for the old masters. By which I mean John Ford, John Ford and John Ford.[...] With Ford at his best, you feel that the movie has lived and breathed in a real world.β
βI've only been influenced by somebody once: prior to making Citizen Kane, I saw Stagecoach forty times. I didn't need to learn from somebody who had something to say, but from somebody who would show me how to say what I had in mind; and John Ford is perfect for that.β
βThe only director who does not move either his camera or his actors very much, and in whom I believe, is John Ford. He succeeds in making me believe in his films even though there is little movement in them. But with the others I have the impression that they are desperately trying to make Art.β
βYou won't like what I am going to say, because the people who I admire are the least-valued by cinema intellectuals; it seems like a tragic misunderstanding to me. My favorite filmmaker is De Sica: I know I'm upsetting you. And John Ford. But the Ford of twenty years ago, the De Sica of twelve years ago.β