Michelle Pfeiffer Quotes (1958-)

“Even though my character is sort of being talked about as the villain of Stardust, everyone is a villain in Stardust ... I'm probably the ugliest villain in Stardust, for sure [laughs] and the oldest because I age ... I'm 5,000 years old or something ridiculous like that, but I think as fun as these characters I play in the beginning, you don't want to fall into the trap of just going out and being mean. Mean people don't think they're being mean; mean people think they're completely justified in their outbursts or their comments and the truth underneath it all is they're fighting and angry, they feel like the victim, as twisted as they might be, so that's also why it's so interesting to play those because you kind of get to figure that all out.”

“Eating a vegan diet — it’s just so much healthier — and you avoid a lot of toxins that could age your skin and your body. I really noticed a difference in my skin not too long after switching to fully vegan. … The older I’ve gotten, the more it’s occurred to me that I’m doing it in order to live longer, though the vanity component will always be there. … I just told myself one day that I’m going to do it and I’m going to give myself eight weeks. And that I’m not going to commit on this for a lifetime because it’s psychologically huge for people to wrap their minds around it. And I’m just going to see how I feel, I’m going to test my blood again and see if there’s anything. Giving it that long you sort of get over the fact of feeling how big and difficult it is at the beginning. And if you really give yourself long enough to start feeling differently and sort of see the benefits then it will be great.”

“'She's the blonde in Scarface,' they say to me about Michelle Pfeiffer. Now her I know. She made this year's great movie entrance, descending, back to camera, in the glass elevator of a drug czar's Florida mansion, wearing a green satin evening dress that seemed about to fall off her. Rarely in a movie have I seen an actress so perfectly groomed, so coolly elegant. There hasn't been a platinum-blonde star for a long time, and I waited, fascinated, to meet her. She is on the verge of stardom. In the parlance of the industry, she is hot. She is appearing in one hot movie, has another coming out, and others await only her availability to begin shooting. 'Hello,' she said, when she arrived. 'Hello,' I replied, trying to zero in on the unfamiliar face... and then it registered: Michelle Pfeiffer is, alas, no longer blonde. She became blonde for the role. Nor is she a fashion plate. In fact, she has absolutely no interest in fashion or chic. Like Garbo, who cared nothing for such trappings either, she took on the accoutrements that went along with the part, so convincingly that I had assumed the end product was the starting point — the reason she had been cast in the first place.”

“Michelle represents the best of both worlds. She's very feminine, understated and sophisticated, yet also mysterious, confident and provocative.”

“I think that, more than any other "beautiful actress," Michelle has been handicapped by her appearance. She has such an overwhelming face that people have tended to cast her because of the way she looks... I have a feeling she's been in touch with her gift all along, and that she's exhibited enormous patience with those of us who tend to focus first on how gorgeous she is.”

“Basically, she's a character actress... I think that's a strength. She's someone who will endure because she'll find characters to play. And she happens also to be a leading-lady type, which is, I guess, glamorous. She has both... I mean, is someone doing what they should be doing? That's the question.”

“I didn't recognize her from one film to the next. I wasn't really looking at Michelle Pfeiffer; I was looking at the character in the movie. The thing that really clinched it was Married to the Mob. She had a kind of honesty in the character, and she had just the right amount of humor. She wasn't putting down the character; she wasn't making a value judgment on the character. She really was like the people I grew up with. The characters were Italians from Long Island, and here was an actress of a different type, different background, coming in and making me believe totally. That really made me sit up and take note. And then, when Dangerous Liaisons came out, I thought, 'She's the best we have.'”

“She was kind of shy, and halfway through the year, in fact, it was the end of the second semester where the other kids had been doing the debating and making the fiery speeches and stuff, Michelle hadn't volunteered very much. But then we did the Harry Truman trial, where they bring in witnesses. The players had to get some other kids to participate, so a little peer pressure. Michelle ended up being one of the victims of the bomb. She gets on the stand, and she had dressed herself up as a victim and had gauze and everything. She starts to talk, and she starts crying. You ever been in a play or something where you feel kind of uncomfortable that all of a sudden someone's doing something so emotional you don't know what to do? She does that to the class. And they're looking, and they can't figure out. What the hell is she doing? She hasn't been like this all year. It was just a stunning performance. And we thought, God, she really is a victim of the bomb. To the end of the year, we had her take on some more responsibility. But that was the first little bit of acting.”

“She was very, very particular about the visual aspects of what we were doing. After seeing the first rushes of film, she requested that her costumes be made less splendid. In fact, we reduced things. But it also had to do with the fact that it's Michelle Pfeiffer's face. She was so beautiful that they had to tone down the glories of the gowns to make her less stunning.”

“There was a pronunciation and approach that seemed Dylan-influenced. Vowels were swallowed, word endings were given short or no shrift. When we worked, it almost became a joke with us that I was constantly reminding her to say the consonants as well as the vowels... And Michelle, must you continue to smoke two packs of cigarettes a day?... I can swear that every single note in that movie was hers. Seeing Michelle up there was like watching myself or my daughter. I was so nervous. I wanted her to be so good. I didn't want to feel as if I'd let her down.”