femme fatale. The sirens of the Greeks and the Lorelei of the Germans embody these dangerous aspects of the anima-in a word, destructive illusions. The following Siberian tale gives a particularly apt portrayal of such a destructive anima:
  A solitary hunter once had the experience of seeing a beautiful woman appear on the opposite bank of a river. She waved to him and sang, "Come, come. I've missed you, missed you. Now I want to put my arms around you, put my arms around you. Come, come, my nest is nearby, my nest. Come, come, lonely hunter, right now in the stillness of twilight." As he threw off his clothes and began swimming across to her, she suddenly flew away in the form of an owl, laughing mockingly. Swimming back, he drowned in the ice-cold river.
Here the anima symbolizes an unreal dream of love and happiness, of motherly love and security (the nest), an illusion that holds a man back from life. The hunter freezes to death because of his pursuit of an erotic fantasy." - Meaning and context.">
p. 311
“

The French call such an anima figure a femme fatale. The sirens of the Greeks and the Lorelei of the Germans embody these dangerous aspects of the anima-in a word, destructive illusions. The following Siberian tale gives a particularly apt portrayal of such a destructive anima:
  A solitary hunter once had the experience of seeing a beautiful woman appear on the opposite bank of a river. She waved to him and sang, "Come, come. I've missed you, missed you. Now I want to put my arms around you, put my arms around you. Come, come, my nest is nearby, my nest. Come, come, lonely hunter, right now in the stillness of twilight." As he threw off his clothes and began swimming across to her, she suddenly flew away in the form of an owl, laughing mockingly. Swimming back, he drowned in the ice-cold river.
Here the anima symbolizes an unreal dream of love and happiness, of motherly love and security (the nest), an illusion that holds a man back from life. The hunter freezes to death because of his pursuit of an erotic fantasy.

— Marie-Louise von Franz

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "The French call such an anima figure a femme fatale. The sirens of the Greeks and the Lorelei of the Germans embody these dangerous aspects of the anima-in a word, destructive illusions. The following Siberian tale gives a particularly apt portrayal of such a destructive anima:
  A solitary hunter once had the experience of seeing a beautiful woman appear on the opposite bank of a river. She waved to him and sang, "Come, come. I've missed you, missed you. Now I want to put my arms around you, put my arms around you. Come, come, my nest is nearby, my nest. Come, come, lonely hunter, right now in the stillness of twilight." As he threw off his clothes and began swimming across to her, she suddenly flew away in the form of an owl, laughing mockingly. Swimming back, he drowned in the ice-cold river.
Here the anima symbolizes an unreal dream of love and happiness, of motherly love and security (the nest), an illusion that holds a man back from life. The hunter freezes to death because of his pursuit of an erotic fantasy." in the context of "p. 311" to mean that wisdom is timeless.

Source: Wikiquote: "Marie-Louise von Franz" (Quotes, Archetypal Dimensions of the Psyche (1994): German edition (1994); Shambhala English edition 1997 , The Anima as the Woman within the Man) The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 18, 2026). https://gemini.google.com/app
Marie-Louise von Franz

About Marie-Louise von Franz

Marie-Louise von Franz (4 January 1915 – 17 February 1998), the daughter of an Austrian baron, was a Swiss Jungian psychologist and scholar who was born in Munich, Germany. She worked with Carl Jung, whom she met in 1933 and knew until his death in 1961.