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Man Ray Quotes (1890-1976)
Artist
About Man Ray
Emmanuel Radnitzky (known as Man Ray; August 27, 1890 β November 18, 1976) was an American artist who spent most of his career in Paris, France. Perhaps best described simply as a modernist, he was a significant contributor to both the Dada and Surrealist movements, although his ties to each were informal. Best known in the art world for his avant-garde photography.
Best Man Ray Quotes
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Explore our curated collection of the most famous and impactful Man Ray quotes.
βAll critics should be assassinated.β
βunconcerned but not indifferentβ
βA creator needs only one enthusiast to justify him. β
βI have been accused of being a joker. But the most successful art to me involves humor.β
βIt has never been my object to record my dreams, just the determination to realize them.β
βI have finally freed myself from the sticky medium of paint, and am working directly with light itself.β
βOf course, there will always be those who look only at technique, who ask "how", while others of a more curious nature will ask "why". Personally, I have always preferred inspiration to information.β
βI do not photograph nature. I photograph my visions. Quoted in PBS episode of American Mastersβ
βAn original is a creation motivated by desire.
Any reproduction of an original is motivated by necessity.
The original is the result of an automatic process, the reproduction, of a mechanical process. In other words: Inspiration then information; each validates the other.
All other considerations are beyond the scope of these statements.
It is marvelous that we are the only species that creates gratuitous forms. To create is divine, to reproduce is human.β
Any reproduction of an original is motivated by necessity.
The original is the result of an automatic process, the reproduction, of a mechanical process. In other words: Inspiration then information; each validates the other.
All other considerations are beyond the scope of these statements.
It is marvelous that we are the only species that creates gratuitous forms. To create is divine, to reproduce is human.β
βThroughout time painting has alternately been put to the service of the Church, the State, arms, individual patronage, scientific phenomena, anecdote and decoration β¦ all the marvelous works that have been painted, whatever the sources of inspiration, still live for us because of absolute qualities they possess in common. The creative force and the expressiveness of painting reside materially in the colour and texture of pigments, in the possibilities of form invention and organisation, and in the flat plane on which these elements are brought into play.β
βThere is β¦ your high bridge in Pasadena from which every once in a while someone jumps off, committing suicide. There is no question of removing the bridge. Poems have been written by well-known authors that are supposed to have driven love-sick young people to suicide. These works are not banned. Thousands lose their lives in automobile accidents, yet nothing is done to restrain manufacturers from building lethal instruments that can do more than 30 miles an hour. To me, a painter, if not the most useful, is the least harmful member of our society. An unskilled cook or doctor can put our lives in danger. l have tried β¦ to paint a picture that would, like the beautiful head of Medusa, turn the spectator to stone β¦ so that certain ones who looked at it would drop dead β¦ but l have not yet succeeded!β
βl paint what cannot be photographed, and l photograph what l do not wish to paint. lf it is a portrait that interests me, a face, or a nude, I will use my camera. It is quicker than making a drawing or a painting. But if it is something I cannot photograph, like a dream or a subconscious impulse I have to resort to drawing or painting. To express what I feel I use the medium best suited to express that idea, which is also always the most economical one. l am not at all interested in being consistent as a painter, and object-maker or a photographer. I can use several different techniques, like the old masters who were engineers, musicians and poets at the same time. I have never shared the contempt shown by painters for photography: there is no competition involved, painting and photography are two media engaged in different paths. There is no conflict between the two.
• Variant: I paint what cannot be photographed, that which comes from the imagination or from dreams, or from an unconscious drive. I photograph the things that I do not wish to paint, the things which already have an existence.β
• Variant: I paint what cannot be photographed, that which comes from the imagination or from dreams, or from an unconscious drive. I photograph the things that I do not wish to paint, the things which already have an existence.β
Quotes About Man Ray
Gain deeper perspective through quotes about Man Ray from others.
R. E. M. on Man Ray
βIt's a Man Ray kind of sky, Let me show you what I can do with it.β
Artist on Man Ray
βWith him you could try anythingβthere was nothing you were told not to do, except spill the chemicals. With Man Ray, you were free to do what your imagination conjured, and that kind of encouragement was wonderful.β
Marcel Duchamp on Man Ray
βMan Ray, n.m. synon. de Joie jouer jouir. (Translation: "Man Ray, masculine noun, synonymous with joy, to play, to enjoy.")β
Adolf Wolff on Man Ray
βMan Ray is a youthful alchemist forever in quest of the painter's philosopher's stone. May he never find it, as that would bring an end to his experimentations which are the very condition of living art expression.β
Disputed Quotes
Quotes attributed to Man Ray that are questionable.
βYou see, I try to walk the tightrope of accomplishment between the chasms of notoriety and oblivion.β
Misattributed Quotes
Quotes mistakenly credited to Man Ray
βDon't put my name on it. These are simply documents I make.β
About Man Ray
Emmanuel Radnitzky (known as Man Ray; August 27, 1890 β November 18, 1976) was an American artist who spent most of his career in Paris, France. Perhaps best described simply as a modernist, he was a significant contributor to both the Dada and Surrealist movements, although his ties to each were informal. Best known in the art world for his avant-garde photography.