William Hazlitt on Laurence Sterne
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βThere is more of mannerism and affectation in him, and a more immediate reference to preceding authors; but his excellences, where he is excellent, are of the first order. His characters are intellectual and inventive, like Richardson's; but totally opposite in the execution. The one are made out by continuity, and patient repetition of touches: the others, by glancing transitions and graceful apposition. His style is equally different from Richardson's: it is at times the most rapid, the most happy, the most idiomatic of any that is to be found. It is the pure essence of English conversational style. His works consist only of morceauxβof brilliant passages.β
βHis wit is poignant, though artificial; and his characters (though the groundwork of some of them had been laid before) have yet invaluable original differences; and the spirit of the execution, the master-strokes constantly thrown into them, are not to be surpassed.β
βThere appears to have been in Sterne a vein of dry, sarcastic humour, and of extreme tenderness of feeling; the latter sometimes carried to affectation, as in the tale of Maria, and the apostrophe to the recording angel: but at other times pure, and without blemish. The story of Le Fevre is perhaps the finest in the English language.β