History, I was learning, is the story we tell ourselves about what really happened. My task as a writer/novelist was to try to get as many versions of that reality and then imaginatively construct the story. The fact that there were so many versions of what really happened should not surprise us: After all, we experience history as individuals through our particular characters, personalities, points of view. This reality of how we live history ideally suits the form of a novel, which focuses on “the truth according to character.

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "History, I was learning, is the story we tell ourselves about what really happened. My task as a writer/novelist was to try to get as many versions of that reality and then imaginatively construct the story. The fact that there were so many versions of what really happened should not surprise us: After all, we experience history as individuals through our particular characters, personalities, points of view. This reality of how we live history ideally suits the form of a novel, which focuses on “the truth according to character." in the context of "On choosing to write In the Time of Butterflies as a fictional rather than biographical work in “Interview with Julia Alvarez” (Chicago Public Library)" to mean that wisdom is timeless.