James Tod Quotes (1782-1835)

““My own animadversions upon the defective condition of the annals of Rajwarra have more than once been checked by a very just remark: ‘When our princes were in exile, driven from hold to hold, and compelled to dwell in the clefts of the mountains, often doubtful whether they would not be forced to abandon the very meal preparing for them, was that a time to think of historical records?’ ”...”

“The foundation of this shrine must have been laid in the solstice, as its front varies ten points from the meridian line; and as the Silpi, or architect, in these matters, acts under the priest, we may infer that the Surya Siddhanta was little known to the Goorgoocha Brahmins, the ministrants of their times, who took the heliacal rising of those days as the true east point; its breadth is, therefore, from N.N.W. to S.S.E. Contrary to custom, it has its back to the rising sun, and faces the west. Crishna is here adored under his form of Rinchor, when he was driven from his patrimony, Surasena, by the Budhist king of Magadha. A covered colonnaded piazza connects the cella of Crishna with a miniature temple dedicated to Deoki, his mother; and within the ample court are various other shrines, one of which, in the S.E. angle, contains the statue of Budha Tri-vicrama, or, as he is familiarly called, Tricam-Rae and Trimnat’h, which is always crowded with votaries. Opposite to this, or at the S.W. angle of the main temple, is a smaller one, dedicated to another form of Crishna, Madhu Rae, and between these is a passage leading by a flight of steps to the Goomtee, a small rivulet, whose embouchure with the ocean is especially sacred, though is would not wet the instep to cross it. From the grand temple to the sungum, or point of confluence, where there is a small temple to Sungum-Narayn, the course of the Goomtee is studded with the cenotaphs of those pilgrims who were fortunate enough to surrender life at this “dwara of the deity.” Amongst them are four of the five Pandu brothers, countenancing the tradition that the fifth proceeded across the Hemachil, where, being lost sight of, he is said to have perished in its snows, and whither he was accompanied by Baldeo, the Indian Hercules, whose statue is enshrined in the south-west corner of the great munduff, several step under ground. Baldeo is represented on his ascent from patal, or the infernal regions, after some monstrous combat.”

“The foundation of this shrine must have been laid in the solstice, as its front varies ten points from the meridian line; and as the Silpi, or architect, in these matters, acts under the priest, we may infer that the Surya Siddhanta was little known to the Goorgoocha Brahmins, the ministrants of their times, who took the heliacal rising of those days as the true east point; its breadth is, therefore, from N.N.W. to S.S.E. Contrary to custom, it has its back to the rising sun, and faces the west. Crishna is here adored under his form of Rinchor, when he was driven from his patrimony, Surasena, by the Budhist king of Magadha. A covered colonnaded piazza connects the cella of Crishna with a miniature temple dedicated to Deoki, his mother; and within the ample court are various other shrines, one of which, in the S.E. angle, contains the statue of Budha Tri-vicrama, or, as he is familiarly called, Tricam-Rae and Trimnat’h, which is always crowded with votaries. Opposite to this, or at the S.W. angle of the main temple, is a smaller one, dedicated to another form of Crishna, Madhu Rae, and between these is a passage leading by a flight of steps to the Goomtee, a small rivulet, whose embouchure with the ocean is especially sacred, though is would not wet the instep to cross it. From the grand temple to the sungum, or point of confluence, where there is a small temple to Sungum-Narayn, the course of the Goomtee is studded with the cenotaphs of those pilgrims who were fortunate enough to surrender life at this “dwara of the deity.” Amongst them are four of the five Pandu brothers, countenancing the tradition that the fifth proceeded across the Hemachil, where, being lost sight of, he is said to have perished in its snows, and whither he was accompanied by Baldeo, the Indian Hercules, whose statue is enshrined in the south-west corner of the great munduff, several step under ground. Baldeo is represented on his ascent from patal, or the infernal regions, after some monstrous combat.”

“If we compare the antiquity and illustrious descent of the dynasties which have ruled, and some which continue to rule, the small sovereignties of Rajasthan, with many of celebrity in Europe, superiority will often attach to the Rajput.”

“To the drying up of the Hakra, or Gliaggar, many centuries ago, in conjunction with moral evils, is ascribed the existing desolation... The vestiges of large towns, now buried in the sands, confirm the truth of this tradition, and several of them claim a high antiquity...”

“These were the first specimens of Christian warfare against the heathen of Hind... It would perhaps be fortunate for Christianity, if the historic muse in India were mute, as many have endeavoured to prove her to be, since atrocities like these are alone sufficient to have scared the Hindus from all association with her creed.”

“Britain has become heir to the monuments of Indraprastha raised by the descendants of Budha and Ila; to the iron pillar of the Pandavas, "whose pedestal[20] [32] is fixed in hell"; to the columns reared to victory, inscribed with characters yet unknown; to the massive ruins of its ancient continuous cities, encompassing a space still larger than the largest city in the world, whose mouldering domes and sites of fortresses,[21] the very names of which are lost, present a noble field for speculation on the ephemeral nature of power and glory. What monument would Britain bequeath to distant posterity of her succession to this dominion? Not one: except it be that of a still less perishable nature, the monument of national benefit. Much is in our power: much has been given, and posterity will demand the result.”

“In Tod’s description, the ‘Marusthali’, as it was then called, consists of ‘expansive belts of sand, elevated upon a plain only less sandy, and over whose surface numerous thinly peopled towns and hamlets are scattered’. He also records ‘the tradition of the absorption of the Caggar river, as one of the causes of the comparative depopulation of the northern desert’. This tradition was transmitted in the form of a ‘couplet still sung among Rajputs, which dates the ruin of this part of the country back to the drying up of the Hakra.’ Although Tod could not recall the exact text of the said song, he acknowledged ‘the utility of these ancient traditional couplets’. ‘Folk history’, as we would call it today... Yet, James Tod finds worthy of mention a tradition alive in the 1810s that blames the region’s ‘depopulation’ on the Ghaggar’s ‘absorption’ or disappearance; he even notes how ‘the vestiges of large towns, now buried in the sands, confirm the truth of this tradition, and several of them claim a high antiquity.”

“When Aurangzeb proscribed Kaniya, and rendered his shrifies im- pure throughout Vrij, Uana Raj Sing “offered the heads one hundred thousand Rajpoots for his service," and the god was conducted by the route of Kotah and Rampura to Mewar. An omen decided the spot of his future residence. As he journeyed to gain the capital of the Seeso-dias, live chariot-wheel sunk deep into the earth and defied extrication ; upon which the Snokiini (augur) interpreted the pleasure of the god, that he desired to dwell there. 'This circumstance occurred at an inconsiderable village called Siarh, in the fief of Dailwara, one of the sixteen nobles of Mewar. Rejoiced at this decided manifestation of favour, the chief hastened to make a perpetual gift of the village and its lands, which was speedily confirmed by the patent of the Rana Nathji (the god) was removed from his car, and in due time a temple was erected for his reception, when the hamlet of Siarh became the town of Nathdwara, which now contains many thousand inhabitants of all denominations, who, re-posing under the especial protection of the god, are exempt from every mortal tribunal. The site is not uninteresting, nor devoid of the means of defence. To the east it is shut in by a cluster of hills, and to the westward flows the Bunas, which nearly bathes the extreme points of the hill. Within these bounds is the sanctuary (sirna) of Kaniya, where the criminal is free from pursuit ; nor dare the rod of justice appear on the mount, or the foot of the pursuer pass the stream ; neither within it can blood be spilt, for the pastoral Kaniya delights not in offerings of this kiml. The territory contains within its precincts abundant space for the town, the temple, and the establishments of the priests, as well as for the numerous resident worshippers, and the constant influx of votaries from the most distant regions, who find abundant shelter from the noontide blaze in the groves o£ tamarind, peepul, and semulf where they listen to the mystic hymns o£ Jayadeva. Here those whom ambition has cloyed, superstition unsettled, satiety disgusted, commerce ruined, or crime disquieted, may be found as ascetic attendants on the mildest of the gods of India.”

“'Those who expect', writes he, 'from a people like the Hindus a species of composition of precisely the same character as the historical works of Greece and Rome commit the very gregarious error of overlooking the peculiarities which distinguish the natives of India from all other races, and which strongly discriminate their intellectual productions of every kind from those of the West. Their philosophy, their poetry, their architecture, are marked with traits of originality; and the same may be expected to pervade their history, which, like the arts enumerated, took a character from its intimate association with the religion of the people. It must be recollected, moreover,' that the chronicles of all the polished nations of Europe, were, at a much more recent date, as crude, as wild, and as barren, as those of the early Rajputs.' He adds, 'My own animadversions upon the defective condition of the annals of Rajwarra have more than once been checked by a very just remark: 'When our princes were in exile, driven from hold to hold, and compelled to dwell in the clefts of the mountains, often doubtful whether they would not be forced to abandon the very meal preparing for them, was that a time to think of historical records?' 'If we consider the political changes and convulsions which have happened in Hindustan since Mahmood's invasion, and the intolerant bigotry of many of his successors, we shall be able to account for the paucity of its national works on history, without being driven to the improbable conclusion, that the Hindus were ignorant of an art which has been cultivated in other countries from almost the earliest ages. Is it to be imagined that a nation so highly civilized as the Hindus, amongst whom the exact sciences flourished in perfection, by whom the fine arts, architecture, sculpture, poetry, music, were not only cultivated, but taught and defined by the nicest and most elaborate rules, were totally unacquainted with the simple art of recording the events of their history, the character of their princes and the acts of their reigns?' The fact appears to be that 'After eight centuries of galling subjection to conquerors totally ignorant of the classical language of the Hindus; after every capital city had been repeatedly stormed and sacked by barbarous, bigoted, and exasperated foes; it is too much to expect that the literature of the country should not have sustained, in common with other interests, irretrievable losses.'”

““Those who expect from a people like the Hindus a species of composition of precisely the same character as the historical works of Greece and Rome commit the very gregarious error of overlooking the peculiarities which distinguish the natives of India from all other races, and which strongly discriminate their intellectual productions of every kind from those of the West. Their philosophy, their poetry, their architecture, are marked with traits of originality; and the same may be expected to pervade their history, which, like the arts enumerated, took a character from its intimate association with the religion of the people. It must be recollected, moreover,… that the chronicles of all the polished nations of Europe, were, at a much more recent date, as crude, as wild, and as barren, as those of the early Rajputs.” ... “My own animadversions upon the defective condition of the annals of Rajwarra have more than once been checked by a very just remark: ‘When our princes were in exile, driven from hold to hold, and compelled to dwell in the clefts of the mountains, often doubtful whether they would not be forced to abandon the very meal preparing for them, was that a time to think of historical records?’ ”... “If we consider the political changes and convulsions which have happened in Hindustan since Mahmood’s invasion, and the intolerant bigotry of many of his successors, we shall be able to account for the paucity of its national works on history, without being driven to the improbable conclusion, that the Hindus were ignorant of an art which has been cultivated in other countries from almost the earliest ages. Is it to be imagined that a nation so highly civilized as the Hindus, amongst whom the exact sciences flourished in perfection, by whom the fine arts, architecture, sculpture, poetry, music, were not only cultivated, but taught and defined by the nicest and most elaborate rules, were totally unacquainted with the simple art of recording the events of their history, the character of their princes and the acts of their reigns?” [The fact appears to be that] “After eight centuries of galling subjection to conquerors totally ignorant of the classical language of the Hindus; after every capital city had been repeatedly stormed and sacked by barbarous, bigoted, and exasperated foes; it is too much to expect that the literature of the country should not have sustained, in common with other interests, irretrievable losses.””

“If devotion to the fair sex be admitted as a criterion of civilization, the Rajpoot must rank high. His susceptibility is extreme, and fires at the slightest offense to female delicacy, which he never forgives.”

“But the most famous of Elphinstone’s disciples was James Tod who, between 1812 and 1823, lovingly gathered in three volumes, the Annals and Antiquities of Rajasthan. Not even Walter Scott would have stumbled upon material so romantically rich and bearing so much of the pollen and fragrance of the past. Legend and romance have given to the Annals and Antiquities such an enduring character that the work would never suffer from want of readers.”