I turn to Kadia Molodowsky, predominantly known for her poetry, but whose stories minutely depict assimilation in America as she witnessed it in the 1940s and 1950s. All these Jewish women—Julia, Nadia, Patti, Gina, Fradel, Kadia—are my ancestors. They are mayne bobes, mumes, shvester, my grandmothers, aunts, sisters. Mir darfn zikh bakenen. We need to become acquainted.

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "I turn to Kadia Molodowsky, predominantly known for her poetry, but whose stories minutely depict assimilation in America as she witnessed it in the 1940s and 1950s. All these Jewish women—Julia, Nadia, Patti, Gina, Fradel, Kadia—are my ancestors. They are mayne bobes, mumes, shvester, my grandmothers, aunts, sisters. Mir darfn zikh bakenen. We need to become acquainted." in the context of "Irena Klepfisz "Secular Jewish Identity: Yidishkayt in America" in Dreams of an Insomniac: Jewish Feminist Essays, Speeches and Diatribes (1990)" to mean that wisdom is timeless.