Gilbert Murray, Aeschylus: The Creator of Tragedy (1940), p. 205
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He raised everything he touched to grandeur. The characters in his hands became heroic; the conflicts became tense and fraught with eternal issues.
— Gilbert Murray on Aeschylus
What It Means
This is a placeholder explanation generated by the low-overhead model. It interprets "He raised everything he touched to grandeur. The characters in his hands became heroic; the conflicts became tense and fraught with eternal issues." in the context of "Gilbert Murray, Aeschylus: The Creator of Tragedy (1940), p. 205" to mean that wisdom is timeless.
Source: Wikiquote: "Aeschylus" (Quotes about Aeschylus)
The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 18, 2026). https://gemini.google.com/app
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About Gilbert Murray
George Gilbert Aimé Murray, OM, FBA (2 January 1866 – 20 May 1957) was an Australian-born British classical scholar and public intellectual, with connections in many spheres. He was an outstanding scholar of the language and culture of Ancient Greece, perhaps the leading authority in the first half of the twentieth century. He is the basis for the character of Adolphus Cusins in his friend George Bernard Shaw's play Major Barbara, and also appears as the chorus figure in Tony Harrison's play Fram.
About Gilbert Murray
George Gilbert Aimé Murray, OM, FBA (2 January 1866 – 20 May 1957) was an Australian-born British classical scholar and public intellectual, with connections in many spheres. He was an outstanding scholar of the language and culture of Ancient Greece, perhaps the leading authority in the first half of the twentieth century. He is the basis for the character of Adolphus Cusins in his friend George Bernard Shaw's play Major Barbara, and also appears as the chorus figure in Tony Harrison's play Fram.
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