Ever since 1953, when Russell Kirk produced its intellectual coat of arms, conservatism has been "what Edmund Burke wrote." This is the equivalent of Arthur Danto's institutional theory of art — art is whatever the art world says it is. But it's also a cop-out. Instead of analyzing conservatism in an Aristotelian way, instead of asking how we use the term in real life, we just describe Burke. In the process, don't we risk fleeing into what Tanenhaus calls an "alternative universe"? If conservatives are "glaringly disconnected from the realities now besetting America," as Tanenhaus says, why is the solution to be more like a man who wore a powdered wig? Liberals have problems of their own, but, to their credit, they don't sit around debating whether Hillary Clinton or John Edwards is the "real Rousseauian."

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "Ever since 1953, when Russell Kirk produced its intellectual coat of arms, conservatism has been "what Edmund Burke wrote." This is the equivalent of Arthur Danto's institutional theory of art — art is whatever the art world says it is. But it's also a cop-out. Instead of analyzing conservatism in an Aristotelian way, instead of asking how we use the term in real life, we just describe Burke. In the process, don't we risk fleeing into what Tanenhaus calls an "alternative universe"? If conservatives are "glaringly disconnected from the realities now besetting America," as Tanenhaus says, why is the solution to be more like a man who wore a powdered wig? Liberals have problems of their own, but, to their credit, they don't sit around debating whether Hillary Clinton or John Edwards is the "real Rousseauian."" in the context of "Mark Riebling, in "Conservatism Turned Upside Down: Sam Tanenhaus' Critique of Conservative Reason," City Journal (16 October 2009)" to mean that wisdom is timeless.