Between 1854 and 1856, while Bain and Spencer were publishing their first major studies of psychology, George Eliot was immersed in the task of translating Spinoza's Ethics (1677). Before the middle of the nineteenth century, relatively little attention had been given to Spinoza by British philosophers, in part because his geometrical style of metaphysics was antithetical to the spirit of eighteenth-century empiricism, and also because of his unpalatable reputation as an atheist. As Lewes remarked, "the accusation of Spinozism was another name for atheism, and deliberate yielding of the soul to Satan". Although Coleridge had absorbed Spinoza's writing as part of his immersion in Continential metaphysics, and Shelley too had been drawn to his religious radicalism, no one before Eliot's generation championed the philosopher in the way that Goethe had done in Germany. By 1878, however, the philosopher Frederick Pollock was commenting in the journal Mind that "in the Ethics of Spinoza we have one of the most remarkable achievements of constructive philosophic genius ever given to the world." Such keen praise was commonly accepted by this time as being neither eccentric nor misguided. Lewes, who was among the first in Britain to give Spinoza serious critical consideration, believed the Ethics opened "a new era in History." Carlyle's literary executor, J. A. Froude, who grudgingly acknowledged in 1855 that "Spinoza's influence over European thought is too great to be denied or set aside," eventually became another important channel for the dissemination of his ideas. [...] There was, then, an increasingly wide spread recognition in the second half of the nineteenth century that Spinoza was a central figure in modern thought, an opinion few in Britain endorsed before the 1850s.

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "Between 1854 and 1856, while Bain and Spencer were publishing their first major studies of psychology, George Eliot was immersed in the task of translating Spinoza's Ethics (1677). Before the middle of the nineteenth century, relatively little attention had been given to Spinoza by British philosophers, in part because his geometrical style of metaphysics was antithetical to the spirit of eighteenth-century empiricism, and also because of his unpalatable reputation as an atheist. As Lewes remarked, "the accusation of Spinozism was another name for atheism, and deliberate yielding of the soul to Satan". Although Coleridge had absorbed Spinoza's writing as part of his immersion in Continential metaphysics, and Shelley too had been drawn to his religious radicalism, no one before Eliot's generation championed the philosopher in the way that Goethe had done in Germany. By 1878, however, the philosopher Frederick Pollock was commenting in the journal Mind that "in the Ethics of Spinoza we have one of the most remarkable achievements of constructive philosophic genius ever given to the world." Such keen praise was commonly accepted by this time as being neither eccentric nor misguided. Lewes, who was among the first in Britain to give Spinoza serious critical consideration, believed the Ethics opened "a new era in History." Carlyle's literary executor, J. A. Froude, who grudgingly acknowledged in 1855 that "Spinoza's influence over European thought is too great to be denied or set aside," eventually became another important channel for the dissemination of his ideas. [...] There was, then, an increasingly wide spread recognition in the second half of the nineteenth century that Spinoza was a central figure in modern thought, an opinion few in Britain endorsed before the 1850s." in the context of "Peter Garratt, Victorian Empiricism: Self, Knowledge, and Reality in Ruskin, Bain, Lewes, Spencer, and George Eliot. (Madison, NJ: Fairleigh Dickinson University Press, 2010)" to mean that wisdom is timeless.