Max Beckmann Quotes (1884-1950)

Poet, Artist, Painter

About Max Beckmann

Max Beckmann (February 12, 1884 – December 28, 1950) was a German painter and print-maker. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s Beckmann was temporarily and wrongly associated with German New Objectivity (Neue Sachlichkeit).

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Explore our curated collection of the most famous and impactful Max Beckmann quotes.

“Today I wanted to die of weakness and melancholy again.”
Max Beckmann
“Very worried and nerveux for 1944. Life is dark – as is death. Close 1943.”
Max Beckmann
“Afternoon with Q. [Quappi, his second wife] on foot, looking for butter and coals – in vain.”
“Space and space again, is the infinite deity which surrounds us and in which we are ourselves contained.”
Max Beckmann
“I want to stay here [Amsterdam] for now, then maybe move on to Paris later on. For the interim, Amsterdam is not bad.”
Max Beckmann
“[it is] amusing all the same, how the peacetime life we cursed and groaned about now elevates itself with iron logic to the status of paradise..”
Max Beckmann
“To me the most important thing [in a picture] is roundness captured in height and breadth. Roundness in the plane, depth in the feeling of the plane.”
“If one perceives of it all – the entire War or even life as a whole – as a scene in the theater of 'infinity', many things are much easier to bear.”
Max Beckmann
“Saw the English [pilots] coming from the sea in huge bands like the bristling hair of Zeus Jupiter. Heard all destroyed in Frankfurt. Sad... (12 April 1944)”
“Even our own cadaver-bones shall not hinder us from standing our ground until the very last, proud and tired in the face of the black wall that surrounds us.”
“At 10 o'clock a Dutch girl came by Lütjens: ! PEACE! Beckmann's Diary, 4 May 1945, Amsterdam; as cited on: 'Arts in exile'”
Max Beckmann
“One of my problems is to find the Ego, which has only one form and is immortal – to find it in animals and men, in the heaven and in the hell which together form the world in which we live.”
“Put the picture away or, preferably, send it back to me, dear Valentin. If people cannot understand it is based on their inner engagement with these matters, then there is no point in showing the thing at all.”
“Well - not quite yet - green police [the Germans] still driving around with machine guns, etc. Nevertheless big peace party with warning by Eisenhower. - Walked around in the city [Amsterdam], much drunkenness..”
Max Beckmann
“I am working here [Amsterdam] on my last big triptych, which will be a tremendous story, and which gives me a more intense life and exhilaration. My God, life is worth living!”
Max Beckmann
“Is there to be no getting away from this loathsome vegetative physicality?.. .Utter contempt for the lewd enticements that always lure us back into life's clutches. And when, half-parched, we seek to quench our thirst, the gods laugh us to scorn.”
“..[war] in itself is one of the manifestations of life, like disease, love, and lust. And just as I follow fear, disease, lust, love, and hate to their utmost limits, well, now I am trying war. It is all life, wonderfully various and rich in inspiration.”
Max Beckmann
“Learn by heart the forms to be found in nature, so that you can use them like the notes in a musical composition. That is what these forms are for. Nature is a marvelous chaos, and it is our job and our duty to bring order into that chaos and – to perfect it.”
Max Beckmann
“Oh I wish that I could paint again. Paint is an instrument without which I cannot survive for any length of time. Whenever I even think of gray, green and white, I am overcome with quivers of lust. Then I wish that this war would end and that I might paint again.”
“It is not the subject which matters but the translation of the subject into the abstraction of the surface by means of painting. Therefore I hardly need to abstract things, for each object is unreal enough already, so unreal that I can only make it real by means of painting.”
Max Beckmann
“The metaphysics of substance. The strange feeling which comes over us when we sense: this is skin – this is bone – all in a single vision that is completely unearthly. The dreaminess of our existence mixed at the same time with the indescribably sweet illusion of reality.”
Max Beckmann
“What is important to me in my work is the identity that is hidden behind so-called reality. I search for a bridge from the given present tot the invisible, rather as a famous cabalist once said, 'If you wish to grasp the invisible, penetrate as deeply as possible into the visible'.”
“We're continually poring over plans, and the decision is difficult, but it's definitely coming soon. The idea with Barr is not bad and might convince me to take your advice, if B. really does get involved.”
“One thing is sure – we have to transform the three-dimensional world of objects into the two-dimensional world of the canvas.. .To transform three into two dimensions is for me an experience full of magic in which I glimpse for a moment that fourth dimension which my whole being is seeking.”
Max Beckmann
“It is, of course, a luxury to create art and, on top of this, to insist on expressing one's own artistic opinion. Nothing is more luxurious than this. It is a game and a good game, at least for me; one of the few games which make life, difficult and depressing as it is sometimes, a little more interesting.”
Max Beckmann

Max Beckmann Quotes by Topic

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Max Beckmann on Abstract art

“My aim is always to get hold of the magic of reality and to transfer this reality in painting – to make the invisible visible through reality.. .What helps me most in this task is the penetration of space. Height, width and depth are the three phenomena which I must transfer into one plane to form the abstract surface of the picture, and thus to protect myself from the infinity of space. My figures come and go, suggested by fortune or misfortune. I try to fix them divested of their apparent accidental quality.”
Max Beckmann

What Max Beckmann Said About Others

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Max Beckmann on Franz Marc

“The laws of art are eternal and don't change at all, as the moral laws don't change in human beings.”
Max Beckmann

Max Beckmann on William Blake

“..I saw William Blake (in his dream), noble emanation of English genius... ...’Have confidence in your objects,’ he said, 'do not let yourself be intimidated by the horror of the world. Everything is ordered and correct and must fulfill its destiny in order to attain perfection. Seek this path'.. ..I awoke and found myself in Holland in the midst of boundless world turmoil. But my belief in the final release and absolution of all things, whether they please or torment, was newly strengthened.”
Max Beckmann

Quotes About Max Beckmann

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Sister Wendy Beckett on Max Beckmann 2 quotes

“He would had always seen the world as 'chaos' and 'grief' (the mad and violent world he tried to control in paintings like 'The Destruction of Messina' [Beckmann's early painting in 1909] and who relied on his art 'to order this chaos.. ..to give it form' now found himself overwhelmed by formlessness and horror, helpless. [Beckmann was a medic in the first World War] ..After less than a year and a half, he had broken down in mind and body and was invalided out of service [in 1915].”
View all 2 quotes on Sister Wendy Beckett →

de:Stephan Lackner on Max Beckmann

“But Beckmann sees no purpose in the suffering he shows; there is no glory for anybody, no compensation.. .Beckmann blames human nature as such, and there seems to be no physical escape from this overwhelming self-accusation. Victims and aggressors alike are cornered. There is no exit.”

Quote of P. F. Schmidt on Max Beckmann

“We live in such a hell, only we are not conscious of it; we have shifted all of the torment and doubt of our situation onto the artist's conscience; as prophet and soothsayer of the times, he carries our burden; he expresses the meaning and insanity of the everyday, which we hold hidden in our hearts.”

About Max Beckmann

Max Beckmann (February 12, 1884 – December 28, 1950) was a German painter and print-maker. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s Beckmann was temporarily and wrongly associated with German New Objectivity (Neue Sachlichkeit).