I was traveling in Greece as a teenager, and for those who haven't been to Greece, it's absolutely covered in olive groves — stunted, gnarly little bonsai-type trees. And I was driving on a moped and a huge black stallion had pulled away from its stake and was just going nuts in this tiny, tiny, hobbit-like forest. It was just such a powerful image, this enormous beast let loose and going wild in a fairy-tale wood of tiny trees... The song itself is really about going through the process of making the first album. It was a very strange experience and a very steep learning curve. For the previous 10 or 15 years, I'd been completely my own boss — when you play a gig, you just play your new song, the new song is always your favorite. And here I was having to make an album of stuff that's never gonna go away. I was being asked to make these huge decisions, so really the song is just about learning to listen to your guts again. There's actually very few times in our lives now when we have to do that.

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "I was traveling in Greece as a teenager, and for those who haven't been to Greece, it's absolutely covered in olive groves — stunted, gnarly little bonsai-type trees. And I was driving on a moped and a huge black stallion had pulled away from its stake and was just going nuts in this tiny, tiny, hobbit-like forest. It was just such a powerful image, this enormous beast let loose and going wild in a fairy-tale wood of tiny trees... The song itself is really about going through the process of making the first album. It was a very strange experience and a very steep learning curve. For the previous 10 or 15 years, I'd been completely my own boss — when you play a gig, you just play your new song, the new song is always your favorite. And here I was having to make an album of stuff that's never gonna go away. I was being asked to make these huge decisions, so really the song is just about learning to listen to your guts again. There's actually very few times in our lives now when we have to do that." in the context of "On influences in writing her song "Black Horse and the Cherry Tree", in a Barnes & Noble Interview with David Sprague (February 2006)" to mean that wisdom is timeless.