John Gunther on New York City

“So now we come to New York City, the incomparable, the brilliant star city of parodies, the forty-ninth state, a law unto itself, the Cyclopean paradox, the inferno with no out-of-bounds, the supreme expression of both the miseries and the splendors of contemporary civilization, the Macedonia of the United States. It meets the most severe test that may be applied to definition of a metropolis- it stays up all night. But also it becomes a small town when it rains. Paradox? New York is at once the climactic synthesis of America, and yet the negation of American in that it has so many characteristics called un-American. One friend of mine, indignant that it seems impossible for any American city to develop on the pattern of Paris or Vienna, always says that Manhattan is like Constantinople- not the Instanbul of old Stamboul but of the Pera or Levantine side. He meant not merely the trite fact that New York is polygot, but that it is full of people, like the Levantines, who are interested basically in only two things, living well and making money. I would prefer a different analogy- that only Instanbul, of all the cities in the world, has as enchanting and stimulating a profile.”

“New York is the publishing center of the nation; it is the art, theater, musical, ballet, operatic center; it is the opinion center; it is the radio center; it is the style center. Hollywood? Hollywood is nothing more than a suburb of the Bronx, both financially and from a view of talent. Politically, socially, in the world of ideas and in the whole world of entertainment, which is a great American industry needless to say, New York sets the tone and pace of the entire nation. What books 140 million Americans will read is largely determined by New York reviewers. Most of the serious newspaper columns originate in or near New York; so do most of the gossip columns, which condition Americans from Mobile to Puget Sound to the same patterns of social behavior. In a broad variety of fields, from serious drama to what you will hear on a jukebox, it is what New York says that counts; New York Opinion is the hallmark of both intellectual and material success; to be accepted in this nation, New York acceptance must come first. I do not assert that this is necessarily a good thing. I say merely that it is true. One reason for all this is that New York, with its richly cosmopolitan population, provides such an appreciative audience. It admires artistic quality. It has a fine inward gleam for talent. Also New York is a wonderfully opulent center for bogus culture. One of its chief industries might be said to be the manufacture of reputations, many of them fraudulent.”