James Brown Quotes (1933-2006)

“James Browne noted: ‘Of all instances of cruelty exercised on the propagators of new doctrines, this is the most barbarous and outrageous. Defenceless women and children have usually escaped even from religious fury. No wonder then, that the vengeance of the Sikhs was so severe.’”

“The metronome has no value whatsoever as an aid to any action or performance that is musical in intention. ... Musicians ought to distinguish between (1) the sort of timing that results from dull, slavish obedience to the ticking of a soulless machine, and (2) that noble swing and perfect control of pulsation which comes into our playing after years of practice in treating and training the sense of time as a free, creative human faculty. Now for the idea that strict metronomic pulsation is the normal basis of music. Nobody could persuade me that this is true. If I believed it I would give up music tomorrow.”

“If H[omo] sapiens does not go extinct, the human population will decline drastically as we will be forced to return to making a living as hunter‐gatherers or simple horticulturalists. Also, the earth after the collapse of human civilization will be a very different place than the biosphere that supported the rise of civilization. There will be a long-lasting legacy of altered climate, landscapes, and biogeochemical cycles, depleted and dispersed stocks of fossil fuels, metals, and nuclear ores, and diminished biodiversity. The most powerful species in the 3.5-billion-year history of life has transformed the earth and left a mark that will endure long after its passing.”

“The films of Michelangelo Antonioni are aesthetically complex – critically stimulating though elusive in meaning. They are ambiguous works that pose difficult questions and resist simple conclusions. Classical narrative causalities are dissolved in favour of expressive abstraction. Displaced dramatic action leads to the creation of a stasis occupied by vague feelings, moods and ideas. Confronted with hesitancy, the spectator is compelled to respond imaginatively and independent of the film. The frustration of this experience reflects that felt in the lives of Antonioni's characters: unable to solve their own personal mysteries they often disappear, leave, submit or die. The idea of abandonment is central to Antonioni's formal structuring of people, objects, and ideas. He evades presences and emphasises related absences. His films are as enigmatic as life: they show that the systematic organisation of reality is a process of individual mediation disturbed by a profound inability to act with certainty.”