Gilles Deleuze on Baruch Spinoza

“Spinoza is the Christ of philosophers, and the greatest philosophers are hardly more than apostles who distance themselves from or draw near to this mystery.”

“It was on Spinoza that I worked the most seriously according to the norms of the history of philosophy — but he more than any other gave me the feeling of a gust of air from behind each time you read him, of a witch's broom which he makes you mount. We have not yet begun to understand Spinoza, and I myself no more than others.”

“Spinoza's ethics has nothing to do with a morality; he conceives it as an ethology, that is, as a composition of fast and slow speeds, of capacities for affecting and being affected on this plane of immanence. That is why Spinoza calls out to us in the way he does: you do not know beforehand what good or bad you are capable of; you do not know beforehand what a body or a mind can do, in a given encounter, a given arrangement, a given combination.”

“The Ethics is a book of concepts (the second kind of knowledge), but also of affects (the first kind) and percepts (the third kind) too. Thus the paradox in Spinoza is that he's the most philosophical of philosophers, the purest in some sense, but also the one who more than any other addresses non-philosophers and calls forth the most intense non-philosophical understanding. That is why absolutely anyone can read Spinoza, and be very moved, or see things quite differently afterward, even if they can hardly understand Spinoza's concepts. Conversely, a historian of philosophy who understands only Spinoza's concepts doesn't fully understand him.”

“What interested me most in Spinoza wasn't his Substance, but the composition of finite modes. I consider this one of the most original aspects of my book. That is: the hope of making substance tum on finite modes, or at least of seeing in substance a plane of immanence in which finite modes operate, already appears in this book. What I needed was both (1) the expressive character of particular individuals, and (2) an immanence of being. Leibniz, in a way, goes still further than Spinoza on the first point. But on the second, Spinoza stands alone. One finds it only in him. This is why I consider myself a Spinozist, rather than a Leibnizian, although I owe a lot to Leibniz. In the book I'm writing at the moment, What is Philosophy?, I try to return to this problem of absolute immanence, and to say why Spinoza is for me the 'prince' of philosophers.”

“No philosopher was ever more worthy, but neither was any philosopher more maligned and hated. To grasp the reason for this it is not enough to recall the great theoretical thesis of Spi­nozism: a single substance having an infinity of attributes, Deus sive Natura, all "creatures" being only modes of these attributes or modifications of this substance. It is not enough to show how pantheism and atheism are combined in this thesis, which denies the existence of a moral, transcendent, creator God. We must start rather from the practical theses that made Spinozism an object of scandal. These theses imply a triple denunciation: of "consciousness," of "values," and of "sad passions." These are the three major resemblances with Nietzsche. And already in Spinoza's lifetime, they are the reasons for his being accused of materialism, immoralism, and atheism.”

“...Spinoza was the philosopher who knew full well that immanence was only immanent to itself and therefore that it was a plane traversed by movements of the infinite, filled with intensive ordinates. He is therefore the prince of philosophers. Perhaps he is the only philosopher never to have compromised with transcendence and to have hunted it down everywhere. In the last book of the Ethics he produced the movement of the infinite and gave infinite speeds to thought in the third kind of knowledge. There he attains incredible speeds, with such lightning compressions that one can only speak of music, of tornadoes, of wind and strings. He discovered that freedom exists only within immanence. He fulfilled philosophy because he satisfied its prephilosophical presupposition. [...] Spinoza is the vertigo of immanence from which so many philosophers try in vain to escape. Will we ever be mature enough for a Spinozist inspiration?”

“In the reproach that Hegel will make to Spinoza, that he ignored the negative and its power, lies the glory and innocence of Spinoza, his own discovery. In a world consumed by the negative, he has enough confidence in life, in the power of life, to challenge death, the murderous appetite of men, the rules of good and evil, of the just and the unjust. Excommunication, war, tyranny, reaction, men who fight for their enslavement as if it were their freedom — this forms the world in which Spinoza lives. The assassination of the De Witt brothers is exemplary for him. Ultimi barbarorum. In his view, all the ways of humiliating and breaking life , all the forms of the negative have two sources, one turned outward and the other inward, resentment and bad conscience, hatred and guilt. "The two archenemies of the human race, Hatred and Re­morse." He denounces these sources again and again as being linked to man's consciousness, as being inexhaustible until there is a new consciousness, a new vision, a new appetite for living. Spinoza feels, experiences, that he is eternal.”

“Writers, poets, musicians, filmmakers – painters too, even chance reader – may find that they are Spinozists; indeed, such a thing is more likely for them than for professional philosophers. It is a matter of one's practical conception of the “plan”. It is not that one may be a Spinozist without knowing it. Rather, there is a strange privilege that Spinoza enjoys something that seems to have been accomplished by him and no one else. He is a philosopher who commands an extraordinary conceptual apparatus, one that is highly developed, systematic, and scholarly; and yet he is the quintessential object of an immediate, unprepared encounter, such that a nonphilosopher, or even someone without any formal education, can receive a sudden illumination from him, a “flash”. Then it is as if one discovers that one is a Spinozist; one arrives in the middle of Spinoza, one is sucked up, drawn into the system or the composition. (…) What is unique about Spinoza is that he, the most philosophic of philosophers (…) teaches the philosopher how to become a non-philosopher.”