• very probably nothing came of this denunciation, because there has never found documents of a further repression from the Holy Office, neither it has been mentioned by Goya later, who detested the Inquisition.
Having to proceed against painters in accordance with rule 11 of the expurgation procedure, and given that Don Francisco de Goya is the author of two of the works [ 'La maja desnuda' and the 'La maja vestida' ].. ..one of them representing a naked woman on a bed.. ..and the other a women dressed as a 'maja' on a bed.. ..the said Goya [should] be ordered to appear before this tribunal so as to identify them and state whether they are his work, for what reasons he did them, at whose request and what intention guided him.
What It Means
This is a placeholder explanation generated by the low-overhead model. It interprets "Having to proceed against painters in accordance with rule 11 of the expurgation procedure, and given that Don Francisco de Goya is the author of two of the works [ 'La maja desnuda' and the 'La maja vestida' ].. ..one of them representing a naked woman on a bed.. ..and the other a women dressed as a 'maja' on a bed.. ..the said Goya [should] be ordered to appear before this tribunal so as to identify them and state whether they are his work, for what reasons he did them, at whose request and what intention guided him." in the context of "Quote in a court Inquisition document of 1815, written by Dr. Zorilla de Velasco, member of the Secret Chamber of Court Inquisition; as quoted by Robert Hughes, in: Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 332
• very probably nothing came of this denunciation, because there has never found documents of a further repression from the Holy Office, neither it has been mentioned by Goya later, who detested the Inquisition." to mean that wisdom is timeless.
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About Francisco Goya