Dana Arnold on History
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βHistorical reality is then a 'referential illusion', in which we try to grasp the reality (the referent of language) that we believe lies beyond the barrier of the linguistic construction of its narratives. In this way history becomes a Myth or an ideology as it purports to be reality. Indeed, storytelling is often seen as one of the most important functions of writing histories and fundamental to the nature of the discipline.β
βThe recognition of the role and importance of subjectivity in the construction of histories does, by implication, negate the possibility for objectivity in the writing of history. But there will always be historical narrative and, consequently, a narrative voice, be it hidden in the syntactical structure of the writing by, for instance, the absence of first person or the use of simple past tense. But this is a sleight of hand which gives the reader a sense of immediate contact with the past without the presence of an interlocutor. This apparently βunmediatedβ contact gives history a kind of privileged status of objective knowledgeβ
βHistory is about the past. Yet it exists only in the present β the moment of its creation as history provides us with a narrative constructed after the events with which it is concerned. The narrative must then relate to the moment of its creation as much as its historical subject. History presents an historian with the task of producing a dialogue between the past and the present. But as these temporal co-ordinates cannot be fixed, history becomes a continuous interaction between the historian and the past. As such, history can be seen as a process of evaluation whereby the past is always coloured by the intellectual fashions and philosophical concerns of the present. This shifting perspective on the past is matched by the fluid status of the past itself.β
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