Cathy Park Hong Quotes (1976-)

Writer, Poet

About Cathy Park Hong

Cathy Park Hong (born August 7, 1976) is an American poet, writer, and professor who has published three volumes of poetry. Much of her work includes mixed language and serialized narrative. She was named on the 2021 Time 100 list for her writings and advocacy for Asian American women.

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“The flip side of innocence is shame.”
Cathy Park Hong
“Nothing gets dated faster than a joke.”
“you have to write toward your discomfort.”
“Most white Americans can only understand racial trauma as a spectacle.”
“Ever since I started writing poetry seriously, I have used English inappropriately.”
“Racial self-hatred is seeing yourself the way the whites see you, which turns you into your own worst”
“It’s one of the best benefits of growing up bilingual, right? You realise that meaning is slippery.”
“minor feelings — that feeling of being targeted and ashamed, but not knowing why and not having it be explained to you.”
Cathy Park Hong
“To other English is to make audible the imperial power sewn into the language, to slit English open so its dark histories slide out.”
“Innocence is both a privilege and a cognitive handicap, a sheltered unknowingness that, once protracted into adulthood, hardens into entitlement.”
“I’d rather be indebted than be the kind of white man who thinks the world owes him, because to live an ethical life is to be held accountable to history.”
Cathy Park Hong
“When I hear the phrase “Asians are next in line to be white,” I replace the word “white” with “disappear.” Asians are next in line to disappear.”
Cathy Park Hong
“I have to address whiteness because Asian Americans have yet to truly reckon with where we stand in the capitalist white supremacist hierarchy of this country.”
“I don’t create redemption for my characters. The narrative of redemption is a false and lazy conceit in art. Redemption through the act of violence is avoiding culpability.”
“Maybe what I’m responding to is how white America has flattened our experience to a single story, how they perceive us as one kind. The book is an attempt to overthrow that.”
Cathy Park Hong
“The way Richard Pryor talked about race was so brutally honest and funny and unvarnished. It made me think that I had never encountered Asian identity being written in that way.”
“In certain ways, the Western ideals of the frontier, of escaping regulation, are still alive today, but now they are carried on in the life of corporations rather than individuals.”
Cathy Park Hong
“As a poet, I have always treated English as a weapon in a power struggle, wielding it against those who are more powerful than me. But I falter when using English as an expression of love.”
“The most damaging legacy of the West has been its power to decide who our enemies are, turning us not only against our own people, like North and South Korea, but turning me against myself.”
“What Black and Asian and brown people know about each other is what white people have said about us, and this is why the real problem is still white supremacy, even if the perpetrators aren’t white.”
Cathy Park Hong
“Anti-Asian racism has come roaring back with the coronavirus scare,” says Korean American writer Cathy Park Hong. “People don’t think Asians face racism, but it’s always lurking under the surface.”
Cathy Park Hong
“Americans still don’t know how to live together, and unfortunately, we don’t have a language to work through interracial violence. That was the case during the LA riots; I think it’s the case now, too.”
“Asians are hyper invisible. We’re not even included in racial breakdowns in polls. We’re always listed as ‘other’, if we’re listed at all...It almost feels like we’re not publicly participating in this country.”
“I’m a poet, so I look at prose differently than a journalist would. I’m not trying to make a singular argument. I want to document my thought process. And that thought process is never linear. It involves different subjects.”
Cathy Park Hong
“My term “minor feelings” is deeply indebted to theorist Sianne Ngai, who wrote extensively on the affective qualities of ugly feelings, negative emotions—like envy, irritation, and boredom—symptomatic of today’s late-capitalist gig economy.”
Cathy Park Hong

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Cathy Park Hong on Blade Runner 2049

“Blade Runner 2049 is an example of science fiction as magical thinking: whites fear that all the sins they committed against black and brown people will come back to them tenfold, so they fantasize their own fall as a preventative measure to ensure that the white race will never fall.”
Cathy Park Hong

Cathy Park Hong on Hollywood

“Hollywood, an industry that shapes not only our national but global memories, has been the most reactionary cultural perpetrator of white nostalgia, stuck in a time loop and refusing to acknowledge that America's racial demographic has radically changed since 1965. Movies are cast as if the country were still "protected" by a white supremacist law that guarantees that the only Americans seen are carefully curated European descendants.”
Cathy Park Hong

What Cathy Park Hong Said About Others

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Cathy Park Hong on Richard Pryor 2 quotes

“As Richard Pryor jokes: "I was a kid until I was eight. Then I became a Negro."”
Cathy Park Hong
View all 2 quotes on Richard Pryor →

Cathy Park Hong on Osip Mandelstam

“there is a hauntedness to Mandelstam’s imagery that I wanted to capture.”
Cathy Park Hong

Cathy Park Hong on Natalie Diaz

“Recently, I read a tweet by the poet Natalie Diaz, who asked, Why must writers of color always have to talk about whiteness? Why center it in our work when it's centered everywhere else?”
Cathy Park Hong

Cathy Park Hong on Donald Trump

“White tears, as Damon Young explains in The Root, are why defeated Southerners refused to accept the freedom of black slaves and formed the Ku Klux Klan. And white tears are why 63 percent of white men and 53 percent of white women elected a malignant man-child as their leader.”
Cathy Park Hong

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Kiese Laymon blurb for on Cathy Park Hong

“Her vision and execution are so breathtaking.”

Claudia Rankine blurb for on Cathy Park Hong

“She brings acute intelligence, scholarly knowledge, and recognizable vulnerability to the formation of a new school of thought she names minor feelings.”

Ali Wong on Cathy Park Hong

“When I read Cathy Park Hong’s Minor Feelings: An Asian American Reckoning, it felt like I was being shaken awake to something I had convinced myself wasn’t real. The subtle ways Asian Americans are dismissed; how Asian American women feel the need to apologize when taking up any sort of space. I was also floored by how she described the ripple effect of the Chinese Exclusion Act: how that fear of not wanting to stick out has been passed down through generations, and how this survival tactic limits us and can cause self-hate. And at the same time, Cathy shares stories that feel so personal, so fresh and so specific, nobody else could’ve written them. I had never read a depiction of three contemporary, young Asian American women that was so complicated, interesting or full of both love and conflict. Her writing is beautiful, funny, sharp and—most importantly to a working mother of two who has few brain cells left at the end of the day—easy to read. I annotated the hell out of Minor Feelings—it’s the kind of book you want to dog-ear and underline. Reading it was such a crazy feeling: I felt so seen that I couldn’t believe that this book existed. And it’s become even more painfully relevant in a year in which anti-Asian violence, which has always existed in America, has spiked so aggressively, putting our communities on high alert and searching for solidarity. This is the book to read when you ask me, “How can I be an ally?” This is the book to read if you want to educate yourself. This is the book to read if you want to be more in touch with your humanity.”
Cathy Park Hong

About Cathy Park Hong

Cathy Park Hong (born August 7, 1976) is an American poet, writer, and professor who has published three volumes of poetry. Much of her work includes mixed language and serialized narrative. She was named on the 2021 Time 100 list for her writings and advocacy for Asian American women.
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