Boris Pasternak Quotes (1890-1960)

“Gregariousness is always the refuge of mediocrities, whether they swear by Solovyov or Kant or Marx. Only individuals seek the truth.”

“Art has two constant, two unending concerns: It always meditates on death and thus always creates life. All great, genuine art resembles and continues the Revelation of St John.”

“With this man, the newness of our times was climatically and uniquely in his blood. His very strangeness was one with the strangeness of the age, an age still half unrealised.”

“The greatness of a writer has nothing to do with subject matter itself, only with how much the subject matter touches the author. It is the density of style which counts. Through Hemingway's style you feel matter, iron, wood. I admire Hemingway but I prefer what I know of Faulkner. Light in August is a marvelous book.”

“If, in a bad dream, we had seen all of the horrors in store for us after the war, we should have been sorry not to see Stalin go down together with Hitler: an end to the war in favour of our allies, civilized countries with democratic traditions, would have meant a hundred times less suffering for our people than that which Stalin again inflicted on it after his victory.”

“I think the first discovery I made for myself which I didn't necessarily share with my family or my friends, but came upon myself, was Russian literature. I've always felt very much enthralled to writers like Dostoevsky, especially, and Chekhov. In later years, modern Russian poets like Pasternak and Mandelstam and Akhmatova have meant a great deal to me. Poetry more than prose.”

“But I hope you know I go on about these things not simply to extol the virtues of my own country but to speak to the true greatness of the heart and soul of your land. Who, after all, needs to tell the land of Dostoyevsky about the quest for truth, the home of Kandinsky and Scriabin about imagination, the rich and noble culture of the Uzbek man of letters Alisher Navoi about beauty and heart? The great culture of your diverse land speaks with a glowing passion to all humanity. Let me cite one of the most eloquent contemporary passages on human freedom. It comes, not from the literature of America, but from this country, from one of the greatest writers of the 20th century, Boris Pasternak, in the novel "Dr. Zhivago." He writes: "I think that if the beast who sleeps in man could be held down by threats -- any kind of threat, whether of jail or of retribution after death -- then the highest emblem of humanity would be the lion tamer in the circus with his whip, not the prophet who sacrificed himself. But this is just the point -- what has for centuries raised man above the beast is not the cudgel, but an inward music -- the irresistible power of unarmed truth." The irresistible power of unarmed truth. Today the world looks expectantly to signs of change, steps toward greater freedom in the Soviet Union. We watch and we hope as we see positive changes taking place.”

“The glass in the official picture was also being shattered by literary writers. Two Soviet accounts in particular captivated Western opinion. The poet Boris Pasternak wrote a novel, Doctor Zhivago, which was banned in Moscow but appeared abroad in translations from 1957. Its panoramic viewpoint on the civil war cast a shadow over the motives and practices of the early communists. This plunged Pasternak into political hot water and he had to refuse the Nobel Prize in 1958. His role as a leading critic of the Soviet regime was picked up by Alexander Solzhenitsyn, whose later works were published in the West from the end of the 1960s. His documentary account of the labour-camp system, The Gulag Archipelago, was a bestseller in 1974. It pulled no punches. Solzhenitsyn had talked to survivors of the camps and assembled such documentation as was available despite the censorship. The gruesome techniques of arrest, interrogation, ‘confession’ and forced labour were traced from the October Revolution. When he was deported from the USSR in 1974, Solzhenitsyn continued his campaign against the iniquities of communist repression. Every year, too, novels and poems by other writers were smuggled out of eastern Europe and China with searing messages about the behaviour of communist regimes.”

“All of us who are more or less heretical in our society are forced to live on its margin, grateful that we are able to speak (at the cost of abnormal exertions) to a small audience.”

“Pasternak has universal meaning, for he embodies the fight the artist and the seeker after truth must wage everywhere against official dogma and conformist pressures.”