Berthe Morisot, in a letter to her sister Edma, 1869; as quoted in The history of Impressionism by John Rewald, (Fourth edition), Museum of Modern Art, 1974, New York p. 643
• a remark to her sister Edma Morisot, after Berthe's visit to the Salon of Paris in 1869
“

The tall fellow Bazille has done something I find quite fine [ in his exhibited painting 'View of the Village':] a young girl in a very light dress in the shadow of a tree beyond which one sees a town. There is a good deal of light, sunlight, He is trying to do what we [Berthe Morisot and her sister Edma both painted] have so often tried to bring off: to paint a figure in the open air [in the outdoor light]. This time I think he has succeed.

— Berthe Morisot on Frédéric Bazille

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "The tall fellow Bazille has done something I find quite fine [ in his exhibited painting 'View of the Village':] a young girl in a very light dress in the shadow of a tree beyond which one sees a town. There is a good deal of light, sunlight, He is trying to do what we [Berthe Morisot and her sister Edma both painted] have so often tried to bring off: to paint a figure in the open air [in the outdoor light]. This time I think he has succeed." in the context of "Berthe Morisot, in a letter to her sister Edma, 1869; as quoted in The history of Impressionism by John Rewald, (Fourth edition), Museum of Modern Art, 1974, New York p. 643
• a remark to her sister Edma Morisot, after Berthe's visit to the Salon of Paris in 1869" to mean that wisdom is timeless.

Quote Image
Source: Wikiquote: "Frédéric Bazille" (Quotes about Frédéric Bazille) The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 18, 2026). https://gemini.google.com/app
Berthe Morisot

About Berthe Morisot

Berthe Marie Pauline Morisot (14 January, 1841 – 2 March, 1895) was a French painter and a member of the circle of painters in Paris who became known as the Impressionists. Undervalued for over a century, possibly because she was a woman, she is now considered among the first league of Impressionist painters.