Ben Hecht Quotes (1894-1964)

“In Hollywood, a starlet is the name for any woman under thirty who is not actively employed in a brothel.”

“People's sex habits are as well known in Hollywood as their political opinions, and much less criticized.”

“"The movies are an eruption of trash that has lamed the American mind and retarded Americans from becoming cultured people."”

“Three years ago, the white hope of the theatre. Today, a mug. That's New York for you. Puts you on a Christmas tree, and then - the alley.”

“Trying to determine what is going on in the world by reading newspapers is like trying to tell the time by watching the second hand of a clock.”

“Like the actor, authority has faith in its false whiskers. But its deepest faith is in the human illusion. People will hang on to illusion as eagerly as life itself.”

“Gibbons is a man full of pain and violence. On this night, there is a Witch's Sabbath in his heart. Storms are blowing his world to bits and great troubles are pounding him on a reef.”

“Movies are one of the bad habits that have corrupted our century. They have slipped into the American mind more misinformation in one evening than the Dark Ages could muster in a decade.”

“They're a symbol of the whole town, pretending to fight, love, weep, and laugh all the time - and they're phonies, all of them. And I head the list...their phony hearts were dripping with the milk of human kindness.”

“The factors that laid low so whooping and puissant an empire as the old Hollywood are many. I can think of a score, including the barbarian hordes of Television. But there is one that stands out for me in the post-mortem.... The factor had to do with the basis of movie-making: ‘Who shall be in charge of telling the story.’”

“Writing a good movie brings a writer about as much fame as steering a bicycle. It gets him, however, more jobs. If his movie is bad it will attract only critical tut-tut for him. The producer, director, and stars are the geniuses who get the hosannas when it's a hit. Theirs are also the heads that are mounted on spears when it's a flop.”

“I have known a handful of producers who actually were equal or superior to the writers with whom they worked. These producers were a new kind of nonwriting writer hatched by the movies—as Australia produced wingless birds. They wrote without pencils or even words. Using a sort of mime-like talent, they could make up things like writers.”

“Most of my script-writing friends – I never had more than a handful—took eagerly to the bottle or the analyst’s couch, filled their extravagant ménages with threats of suicide, hurled themselves into hysterical amours. And some of them actually died in their forties and fifties. Among these were the witty Herman Mankiewicz and F. Scott Fitzgerald, the fine novelist.”

“The writer is a definite human phenomenon. He is almost a type – as pugilists are a type. He may be a bad writer – an insipid one or a clumsy one – but there is a bug in him that keeps spinning yarns; and that bulges his brow a bit, narrows his jaws, weakens his eyes and gives him girl children instead of boys. Nobody but a writer can write. People who hang around writers for years – as producers did – who are much smarter and have much better taste, never learn to write.”

“The answer Hollywood figured out for this question was what doomed it. It figured out that writers were not to be in charge of creating stories. Instead, a curious tribe of inarticulate Pooh-Bahs called Supervisors and, later, Producers were summoned out of literary nowhere and given a thousand scepters. It was like switching the roles of teacher and pupil in the fifth grade. The result is now history. An industry based on writing had to collapse when the writer was given an errand-boy status.”