Aristide Maillol, quoted in 'Aristide Maillol', ed. Andrew C. Ritchie, Albright Art Gallery N Y 1945, p. 31 + 45; as quoted by Angelo Carnafa, in 'A sculpture of interior Solitude', Associated University Presse, 1999, p. 167
“

Art is complex, I said to Rodin, who smiled because he felt that I was struggling with nature.. ..the beauty of Rodin’s art is.. ..in the thoughts he embodied. As for me, I just take a walk on the beach. A young girl appears. From that girl walking there emanates a soul. That is That is at I want to give my statue, that thing alive, yet immaterial. In composing the figure of one young girl I must give the impression that there are all young girls. From the spirit, my feeling passes into my fingers

— Aristide Maillol

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "Art is complex, I said to Rodin, who smiled because he felt that I was struggling with nature.. ..the beauty of Rodin’s art is.. ..in the thoughts he embodied. As for me, I just take a walk on the beach. A young girl appears. From that girl walking there emanates a soul. That is That is at I want to give my statue, that thing alive, yet immaterial. In composing the figure of one young girl I must give the impression that there are all young girls. From the spirit, my feeling passes into my fingers" in the context of "Aristide Maillol, quoted in 'Aristide Maillol', ed. Andrew C. Ritchie, Albright Art Gallery N Y 1945, p. 31 + 45; as quoted by Angelo Carnafa, in 'A sculpture of interior Solitude', Associated University Presse, 1999, p. 167" to mean that wisdom is timeless.

Quote Image
Source: Wikiquote: "Auguste Rodin" (Quotes about Auguste Rodin) The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 18, 2026). https://gemini.google.com/app
Auguste Rodin

About Auguste Rodin

François-Auguste-René Rodin (12 November 1840 – 17 November 1917) was a French sculptor, and the preeminent sculptor of the modern era. He played a pivotal role in the art of the late nineteenth century, both excelling at and rebelling against the Beaux-Arts tradition.