Quote in Macke's letter to philosopher de:Eberhard Grisebach, March 1913; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 145
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'Time' has a large part to play in looking at a picture. A picture (a stupid empty surface to begin with) gets covered in the course of its creation by a rhythmically measured network of colors, lines and dots, which evokes in its final form a total of living movement. The eye jumps from a blue to red, to green (even if there is only a change of form), to a black line, suddenly comes upon a sharp white eruption, follows it, floats on to... It is impossible to take it all in at once. Time is inseparable from surface.

— August Macke

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "'Time' has a large part to play in looking at a picture. A picture (a stupid empty surface to begin with) gets covered in the course of its creation by a rhythmically measured network of colors, lines and dots, which evokes in its final form a total of living movement. The eye jumps from a blue to red, to green (even if there is only a change of form), to a black line, suddenly comes upon a sharp white eruption, follows it, floats on to... It is impossible to take it all in at once. Time is inseparable from surface." in the context of "Quote in Macke's letter to philosopher de:Eberhard Grisebach, March 1913; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 145" to mean that wisdom is timeless.

Source: Wikiquote: "August Macke" (Quotes of August Macke: sorted chronologically, by date of the quotes of August Macke) The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 18, 2026). https://gemini.google.com/app
August Macke

About August Macke

August Macke (3 January 1887 – 26 September 1914) was a German Expressionist artist, who was well-known for introducing bright colors in the early stages of Expressionism. He was part of the art-group Der Blaue Reiter, which he joined through his friendship with Franz Marc, and knew Wassily Kandinsky, Paul Klee, and Robert Delaunay; before his death in the First World War, he would leave behind hundreds of artworks, celebrated by the people around him.